论《地铁站里》与中国古诗词的共性取向

本文通过讨论《地铁站里》与中国古诗词所具有的相似的艺术表现力,说明语言的共性不是体现在文字形式上,而是体现在人类共同的认知心理上,并表现为心理层上相同的概念结构。而就诗歌而言,心理层上相同概念结构的实现过程就是诗歌意象的实时建构过程。相似的艺术表现力是其实现的基础,也是诗歌语言的共性取向。     

电视节目形式与主持艺术在英语教学中的运用

教学方式多样化，教学活动丰富多彩是提高教学质量的重要因素。教师应像节目主持人一样，灵活多变，机智敏捷，将知识竞赛、辩论会及娱乐节目等形式借鉴到教学活动中来，使气氛活跃，教学效果显。     

《群玉堂帖》大字草书《千字文》浅说

《群玉堂帖》中所收录的大字草书《千字文》具有极高的艺术价值。《群玉堂帖》的可贵一方面在于收录之精良,另一方面在于刻工之高超。《千字文》集中体现了这两个特点。此卷冠名于怀素名下的《千字文》虽非怀素手笔,但是具有相当高的艺术格调。     

浅谈民族演唱风格的把握

我国的民族声乐艺术有着丰富的文化传统,是人民群众和民间艺人经过千百年来,在歌唱实践中逐渐形成而发展起来的,深受人民群众的喜爱,有着广泛而深厚的群众基础,具有很高的审美价值和强烈的艺术感染力。民族声乐艺术也随着社会的发展,时代的进步,同样需要与时俱进。这样才能适应社会的需要,才能获得新的艺术生命力。民族声乐艺术区别于其他声乐艺术的标志之一,在于她独特的“民族性”。如何使民族声乐的演唱具有浓郁的民族风格,是演唱者、音乐教学者所孜孜以求的,本文想就民族声乐的演唱风格与特色的把握在继承传统、提高技艺和语言等方面谈一些粗浅的认识。     

展览·艺术活动

中国艺术品行业黄页开始登记；2006“马爹利非凡艺术人物”；开放的6月四川美术学院艺术游；春流——第三届德国行为艺术节；《具象上海2006-聚焦70》。     

在景观与记忆中旅行

该画展展出的是意大利那不勒斯省的部分艺术收藏品，包含了描绘18世纪末到19世纪中期的那不勒斯的一些最权威、最有代表性的画作。这些艺术品构成了一个真正的语言，它们叙述的是那些构成并突出该地区民族特性的历史事件、历史人物及生活场景。画展中并存着当时画界里的两个主要潮流：古典风格与一个更新的、     

通融万物 魅力自成——读陈政明绘画

作为一位从未入正规艺术院校学习的画家，陈政明的绘画资质属于通融万物，为我所用的类型。他曾以文学少年自居，尽管未能在文学路上走下去，无形中却储备了厚重的传统文化内涵，为他日后的绘画艺术打下了良好的文化基础。     

A Life of Red Sandalwood

If you drive along the Chang＇an Avenue eastward in Beijing and pass through skyscrapers in CBD, you will soon encounter a complex of ancient buildings of Ming and Qing styles - China Red Sandalwood Museum. Behind the immense door lies an ancient art palace. This is the world＇s largest museum of red sandalwood architectures and carvings and also the only private museum in China that has ＂China＂ in its name, which receives the most heads of states and foreign government officials.     

Li Xiaojie：A Popular Flute Performer in the Army

Li Xiaojie is a young Chinese flute performer and now serves as the Chinese flute solo performer in the Song and Dance ! Ensemble of the General Political Department of People＇s Liberation Army. She was born in Inner Mongolia and had followed her father Li Zhen, a famous Chinese flute performer to learn flute performance since her childhood. In 1983, she was admitted to the middle school affiliated to China Conservatory of Music and received an all-round training of sldlls and styles of northern schools of Chinese flute from Prof. Ma Baoshan. In 1986. Li and her schoolmate Zeng Zhaobin performed a flute duet at the Fourth North China Music Festival, which was known as the first ever bamboo flute performance by female performers in China and widely recognized by the professional circle.