开发高校龙狮文化创意产业培育创新应用人才

龙狮文化创意产业是一项新兴的热门产业,蕴藏着强大的精神财富,具有无可估量的经济价值。文章运用文献资料法,阐述了高校开发龙狮文化创意产业实现意义,不仅能促使龙狮运动在高校得到持续发展,而且有助于培育出高素质、多功能的创新应用人才,有利于促进地方经济发展和城市文化的繁荣,有助于大学生的创业与就业。文章提出了全面实施改革龙狮运动教学课程,加速培育创新应用人才。创造有利条件,开发龙狮文化创意产业,为地方经济建设服务的战略思路。     

新时代民族传统体育文化发展——基于第11届全国体育科学大会相关专题综述

新时代民族传统体育文化创新发展是新时代体育强国建设和文化强国建设的战略需要,同时也是传承民族传统体育项目发展和维系民族传统体育文化可持续发展的内在动力。民族学、体育学、社会学、历史学等相关学科关于民族传统体育文化的探讨和研究层出不穷,相关研究成果逐渐丰富和完善。本研究基于第11届全国体育科学大会相关专题,主要围绕新时代民族传统体育文化发展进行梳理、归纳和整理,并从新时代民族传统体育文化的理论与实践、传播与交流、传承与路径、融合与发展以及少数民族传统体育文化的创新发展等专题进行综述。以期为新时代民族传统体育文化创新发展提供理论支撑和相关支持。     

全国文化信息资源共享工程服务农村的实践与思考

全国文化信息资源共享工程这项具有伟大意义的惠民工程,强化了图书馆的服务职能,提升了公益性服务单位的社会形象,特别是成为了新农村文化建设和广大农民经济生活、文化生活中的重要组成部分。为深入开展共享工程工作,要持有变"送文化"为"种文化"的服务思想,要服务于当代农民由"要我文化"为"我要文化"的转变,变"三下乡"为"常下乡"的长远服务战略。     

《说文解字》“心”部字的文化阐释

《说文解字》的“心”部字在一定程度上反映了汉民族的思想文化传统。通过对“心”与思维、情感的关系以及古代哲学对“心”认识的阐释,我们可以管窥中华思想的独特性与传承性。     

New mode of universal access and Global Memory Net

INTRODUCTION During 1998~2002, I was privileged to serve as a member of the US President’s Information Technol- ogy Advisory Committee (PITAC), and all members were deeply involved in the drafting of several PITAC Reports to the President. The one related to digital libraries was the 2001 Report of the PITAC Digital Library Panel, entitled Digital Libraries: Universal Access to Human Knowledge (PITAC, 2001). It offers an ambitious vision: “All citizens anywhere anytime c…     

试析中西方建筑文化交流的非对称性

17世纪以来,中西方开始了大规模的文化交流。从建筑领域文化交流来看,中国的园林艺术、家具、瓷器等造型工艺对西方产生了重要影响,形成了所谓"中国艺术风格"。但是近现代以来,由于历史的原因,文化积淀与现代化进程的冲突,在建筑文化的中西方双向交流过程中越来越呈现出非对称特性,越来越多带有西方现代风格的建筑在中国拔地而起。在中西方建筑文化交流中,中国的"洋房子"首先从"教堂"开始,由于历史的原因和科学技术发展的过程制约,导致近现代以来中方建筑的思维"追随"西方建筑文化的理念,西方建筑文化仅仅接受、吸收和融合了中方建筑文化历史中的"园林""、亭台楼阁"等精致建筑文化这一极小部分。     

Distinction through visual art

Visual art is one of the fields where, according to Bourdieu, culture is used to reproduce the class structure. Like other items in the cultural repertoire, paintings, as major examples of visual art, imply social divisions in how they are engaged with by artists, critics and audiences. Within the Bourdieusian framework, cultural engagements with paintings are interpreted as indicators of social position, since appreciation depends on a trained capacity in the family and the educational system, which is often inaccessible to less powerful sections of the population. This would imply that the sorts of paintings favoured by working-class people differ from those preferred by the middle or upper classes. More recent studies have contested the view that a gulf exists between the art tastes of different classes in ways that reproduce the class structure. The argument of the omnivore thesis that distinctions between more popular and legitimate tastes have become blurred has predominantly been based on empirical references in the field of music. This article explores this thesis on the basis of data about visual arts in the Cultural Capital and Social Exclusion project. While some differences continue to be connected to social divisions of income, education and occupational groups, important similarities are found across the board, and certain significant differences appear to relate to factors other than social class, such as ethnicity, age and gender. It is also significant that some people appear disconnected from and disinterested in paintings.     

Predicting multicultural effectiveness of international students: the Multicultural Personality Questionnaire

The present study considered the reliability and validity of the 78-item revised version of the Multicultural Personality Questionnaire, a multidimensional instrument aimed at measuring multicultural effectiveness of expatriate employees and students. The questionnaire includes scales for cultural empathy, open-mindedness, emotional stability, social initiative and flexibility. Participants were native and foreign students of an international business school (N=171) in the Netherlands. The MPQ scales appeared to be more strongly predictive of adjustment of international students as compared to native students. Moreover, the instrument was able to explain variance in students’ adjustment beyond self-efficacy.     

文化资源的分层结构:惠州文化竞争力的一个解读框架

本文通过构造一个文化资源的分层结构框架, 相对简便地解读了惠州的文化竞争力源泉和     

课程改革与文化心理检视

文化心理是指经过长期文化积淀和文化熏陶而形成的一种心理习惯，它像基因一样潜藏在人的体内和心底，影响人的价值追求和人格品味。笔者从剖析文化心理入手，检视了当前课程改革中的观念障碍，并揭示了这样一个观点：课程改革乃至整个教育改革的薄弱环节应该从人们的文化心理中去发现，重塑文化心理是我们新课程改革中的首要任务。