拓展国内区域贸易,提升产品国际竞争力

大国国内区域贸易能够在全国范围内配置资源,在全国范围内实现分工和专业化经济以及规模经济,并且营造了企业发展所必需的竞争环境,因而能够提升产品国际竞争力。文章实证分析了我国区域贸易的现状和区域贸易可拓展的空间,并以美国国内区域贸易提升美国产品国际竞争力为例对理论进行了检验,认为提高我国产品国际竞争力的一个办法就是拓展国内区域贸易。     

农学专业学位硕士研究生案例教学模式探讨——以食品新产品开发课程为例

我国专业学位硕士的数量接近硕士研究生总数的三分之二,社会和企业对专业硕士实际解决生产问题的能力要求较高,案例教学是提高专业硕士研究生解决问题能力的有效途径。因此,在农学专业学位硕士研究生教育中应加强案例教学,并不断探讨案例教学模式对研究生的培养作用和意义。本论文将以农学专业学位硕士的食品产品开发课程为例,分析此课程的案例教学模式,并探讨案例教学的教学特点和实施方法,为促进案例教学发展奠定基础。     

高校图书馆数字化资源建设中的质量监管

文章论述了高校图书馆数字化资源建设的内容和方式,及其实施质量监管的必要性,并对网络数字化信息资源建设的质量标准和管理方法进行了探讨。     

Light-induced cracking and abrasion of inkjet prints: Damage and mitigation

This study is part of a larger research project at the Image Permanence Institute dedicated to digital print preservation issues – the Digital Print Preservation Portal (DP3). Previous DP3 studies determined that certain digital print types are prone to cracking and/or abrasion, and that factors such as low relative humidity, pollutants, and light increase the brittleness of the ink-receiving layer of some inkjet papers. The purpose of this investigation was to explore if light also increases the propensity of inkjet prints to abrade, and to examine the potential of framing glazings to mitigate light-induced physical damage (cracking and abrasion) by attenuating some portion of the UV spectrum. Inkjet papers and prints were subjected to xenon lighting (to simulate daylight through window glass) without glazing, or in sealed framing packages with plain framing glass (soda-lime) or UV filtering glass. Before and after light exposure, brittleness, and abrasion resistance were evaluated independently using two tests: ISO 18907 (Imaging materials – Photographic films and papers – Wedge test for brittleness) and a rub test utilizing a Sutherland® Rub Tester. In this study, exposure to light increased the cracking and/or abrasion tendency of some specimens. The use of UV filtering glass reduced this light-induced propensity in all cases. Plain glass protected all samples from at least one of these two types of surface damage, but was less effective than UV glass. Light-induced brittleness and sensitivity to abrasion were mostly, though not exclusively, caused by UV radiation. It was also seen that some prints may become brittle and/or prone to abrasion in the absence of image fade. Budgeting the amount of light these objects can be exposed to, protecting them from UV radiation, and handling prints with caution especially after exhibition, is essential in order to limit physical damage.     

Global dimension of weak smash product

INTRODUCTION In (Auslander, 1995), the author established the relationship of homological dimension between skew group algebra ΛG and Λ. Recall from Corollary 4.7 and Corollary 4.10 in (Auslander, 1995) that gl.dim(ΛG)=gl.dim(Λ) where ΛG is a skew group algebra with the order of G invertible in Λ. Recently, more and more mathematicians have studied homological dimension for Hopf algebra. Yang (2002) gave the relationship of homological dimension between smash product algebra A#H…     

统计图形数据库参数设计方法

本文通过具体的实例,利用 2.13Ⅰ的特显命令,在dBASEⅢ PLUS下设计了一个图形数据库,为实现统计图形参数设计提供一方法。     

The potential role of citizen conservation in re-shaping approaches to murals in an urban context

Public visual spaces, populated by a blend of community murals, unauthorised street art, and historic painted mercantile signs, are often the mark of an urban environment that is both progressive and eclectic. Changes in the aesthetic and cultural value of these urban mural forms have led to an increase in the appreciation and, in some instances, promotion of their artistic merit and cultural significance as examples of public art. However, examining the significance of these works, with a view to implementing a conservation approach is problematic. This is due to a number of practical and theoretical considerations that are primarily a result of the ephemeral existence of urban murals outside conventional exhibition spaces, and issues associated with their often fragmented ownership and uncertain authorship. Consequently, larger thinking on the interpretation, conservation assessment, and advocacy for the conservation of urban murals are required. Key to defining and implementing such strategies is contextualising the public visual spaces that these murals occupy and, as part of this, the local and wider communities’ perception of these murals as culturally significant objects as well as fostering awareness and understanding of appropriate measures aimed at their conservation. This paper examines the role of citizen science, or crowd-sourcing, of local community members in establishing a conservation dialogue and generating conservation- relevant data on urban murals. It looks specifically at a project involving a collection of in situ historic painted mercantile signs — also known as ghost signs — in the City of Port Phillip, Melbourne, Australia. The project fostered the establishment of an informed and open dialogue between conservation specialists and participants from the local community on the significance of local ghost signs whilst transferring knowledge on conservation processes and assessment methods. Working directly with community members, a programme was designed in which conservation and community knowledge of these urban art forms, could be collected and exchanged across digital platforms. This enabled researchers to examine how citizen science can be utilised as a research tool as well as a means to advocate for the conservation of collections of urban murals. It created the opportunity to consider the role of non-specialists and shared authorities in the collection and collation of conservation- relevant data and how information generated from what we call citizen conservation projects, can inform the way in which conservators evaluate and prioritize the conservation of urban cultural heritage. The data gathered and interpreted proved to be the most effective means of ‘conserving’ these often ephemeral forms of cultural material.     

The future is not what it used to be: Changing views on contemporary color photography

Attitudes and approaches toward the collection, use, and care of color photographs have evolved enormously since the official arrival of commercially viable color photographic processes in the early twentieth century. This article traces the evolution of collection, exhibition, and preservation practices for works of art in color photography over the last few decades, as represented by one institution, The Metropolitan Museum of Art.     

数字人文研究演化路径与热点领域分析

数字人文是计算机学科和人文学科交叉研究的一个新领域,由计算人文和人文计算领域发展而来。本文以Web of Science核心数据集为来源,运用文献计量方法,结合可视化分析工具,对数字人文研究文献进行统计分析和内容挖掘,分析数字人文研究的前沿和热点领域,明确演化路径和发展趋势。①数字人文研究的热点领域有:数字人文的基本理论,技术驱动下的人文学术实践转向,新合作模式引发的人文学术文化变革,以及面向数字人文研究的基础设施建设;②数字人文研究的内涵更具兼容性,应强调计算转向,考虑重构人文知识的脉络与内容,构建当代知识系统及认知方式;③图书馆学的理论、方法及实践与数字人文研究形成协同发展趋势;④从技术应用和数据基础的角度看,图书馆学是数字人文产生的基础学科,也将是数字人文成果的主要应用学科之一。我国图书馆界应以融合的视角审视数字人文与图书馆发展的关系,进行数字人文的理论研究与实践探索。图10。表1。参考文献54。     

面向数字人文研究的大规模古籍文本可视化分析与挖掘

传统的古籍开发与应用模式已难以适应人文学科研究的需要,人文学科研究者期待一个技术逻辑和人文逻辑相耦合的数字人文研究范式的出现。本文从古籍文献深层次开发与利用出发,利用新的信息技术与面向数字人文研究跨学科方法,以大规模中国古籍文本为研究对象,采用大数据研究理念,对古籍进行整理、标注、自动分词等处理,以词频分析统计为研究核心,采用数据降噪、基于窗口时间单位的统计分析计算、滑动窗口预测等分析与挖掘方法,采用大数据实时分析技术,实现了实时、在线、立体、可视化、定量分析字词的历史词频分布规律,创建了一个以语言学、历史文献学、历史地理学等人文学科研究为主的古籍实时统计分析平台,可辅助研究者在大量的古籍文献中发现新的模式、现象、趋势等,实现古籍开发与应用模式创新的初步尝试。图11。参考文献36。