2011年中国微博客传播研究综述

本文对我国2011年微博客研究的总体进展进行了回顾和分析,认为创新、融合与治理是本年度微博客研究的重要主题。微博客已经成为业界和学界普遍关注的热点话题,而随着微博客传播潜力的不断挖掘,微博客还将成为新闻传播学领域的基础课题之一。     

文化、权力与多元性:关于媒介批评学科体系建设的思考

随着大众传媒与社会生活的关系日益紧密,旨在为观察、分析、阐释错综复杂的媒介现象提供理论与方法的传播学分支学科——媒介批评——的重要性正日益凸显。然而,目前我国的媒介批评学科体系中存在着包罗万象、还原主义和重理论轻实践的三种倾向,制约着媒介批评学科的发展。本文认为,媒介批评学科体系的建构需在文化、权力分配与多元性的框架内展开,赋予该学科以真正的批评力量,切实推动社会变迁。     

瞬间与无限:新闻真实的两种理解方式

本文从肯定认知主体的主观能动作用出发,重新阐述了新闻真实,认为它在新闻生产领域是权力机制,必然与媒体自身的经济、政治诉求相关;而这种渗入真实、真相中的主观性,又理应借助于文化反思来检讨,这样在新闻传播研究中理当保持开明的真实观。     

中国新闻奖的价值取向探析——从两类通讯的获奖情况看

中国新闻奖的价值取向是选择、评判中国新闻作品的坐标,通过比较两种类型的通讯作品,可以管窥到中国新闻奖的价值取向：注重新闻导向,并将其置于优先地位;重视新闻价值,处于从属地位。     

Journalism as institution and work in Europe,circa 1860

This article presents a comparative historical analysis of the relationship between journalism as institution (i.e., a particular set of organizations in society) and journalism as work (i.e., an activity practiced by individuals) in four European countries: Britain, Sweden, Germany, and Estonia. The analysis compares the institutional context of journalistic work in these four countries around 1860, focusing in particular on the organization of journalistic labor at the national newspaper of record. The historical comparison reveals how exceptional the British case is. The study finds that British journalism circa 1860 exhibited a high division of labor, high labor specialization, and was increasingly focused on news gathering and production. Swedish and German journalism exhibited an emerging division of labor and labor specialization, and was focused on political debate (rather than news gathering and production). Estonian journalism exhibited hardly any division of labor or labor specialization, and was focused on raising national awareness.     

Journalism and Critical Engagement: Naiveté, Embarrassment,and Intelligibility

This article explores the possibility of journalists acting as custodians of critical engagement, drawing on Rancière's conception of dissensus as organized disagreement over the conditions of understanding. It begins by assessing the status that worthiness and naiveté have as negative symbolic capital in the journalistic field, before asking whether journalists' ambivalent detachment from the objects of their inquiry hinders their ability to engage critically with experts in other fields. It argues that journalism's role in marshaling dissensus amounts to making clear the limits and absences of intelligibility in journalism and other fields, in distinction to disseminating knowledge as such.     

“Feeling Much Smaller than You Know You Are”: The Fragmented Professional Identity of Female Sports Journalists

Interviews with women working as sports journalists showed that they must negotiate several tensions, including balancing their conflicting identities as woman and as professional journalist. Nevertheless, in the end, they also saw the two as compatible. They fell along a spectrum of resistance to traditional values in sports and journalism, providing evidence of cracks in hegemonic notions of what it means to be a woman covering sports.     

Mourning “Men Joined in Peril and Purpose”: Working-Class Heroism in News Repair of the Sago Miners’ Story

Initially promising to replicate the story of the 2002 rescue at the Quecreek mine in Pennsylvania, news coverage of the January 2006 coal mine accident in Sago, WV, went terribly wrong when journalists incorrectly reported the miners’ “miracle” survival. Analysis of 761 newspaper, newsmagazine, and broadcast news reports illustrates how journalists corrected a mishandled story, and offers a glimpse into their broader role in constructing politically affirming national mythology. The final story of Sago was one of a rural community with class pride, distinct gender roles, and other “traditional” values presumed lost—a nostalgic parable of blue-collar patriotic sacrifice.     

Mario Van Peebles's Panther and Popular Memories of the Black Panther Party

The 1995 movie Panther depicted the Black Panther Party for Self-Defense as a vibrant but ultimately doomed social movement for racial and economic justice during the late 1960s. Panther's narrative indicted the white-operated police for perpetuating violence against African-Americans and for undermining movements for black empowerment. As such, this film represented a rare source of filmic counter-memory that challenged hegemonic memories of U.S. race relations. Newspaper reports and reviews of Panther, however, questioned the film's veracity as a source of historical information. An analysis of these reviews and reports indicates the challenges counter-memories confront in popular culture.     

To Hope or to Know: Coping with Uncertainty and Ambivalence in Women's Magazine Breast Cancer Articles

Breast cancer is one of the most feared diseases in contemporary Western society. Popular women's magazines are important sources of information about and orientation to the disease. The current study applies problematic integration theory in an interpretive analysis of all breast cancer articles appearing in five top-circulating women's magazines between 1997 and 2002. In so doing, the study illuminates two major challenges (uncertainty and ambivalence) and several imperfect approaches to coping constructed in this discourse (simplification, information-seeking/provision, affect management, trusting intuition, sustaining hope, and metaphoric reframing). These results have several clear and important practical implications and highlight a major and largely untried direction for future research.