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191.
女性在传统中国雕塑中几乎没有留下任何记录,然而在中国当代雕塑界却活跃着一批优秀的妇性雕塑家,她们在雕塑艺术上的成就充分体现了妇艺术家的特点,她们以自己的智慧和才能,在雕塑艺术这个通常是由男性主宰的世界里赢得了属于女性的空间。  相似文献   
192.
雕塑教学是夯实雕刻艺术设计专业造型能力与创作能力的主要课程,雕塑教学对专业基础的训练至关重要,而它的成效是当前雕刻艺术设计专业发展的基本问题。论文在雕刻艺术设计专业大的教学背景下,提出雕塑教学融合雕刻工艺种类、提升造型能力、拓展创作能力、注重因材施教、引入数字教学等方面进行探究,在造型形式语言和创作构思方面强调个体化发展,推进雕刻艺术设计专业特色优质化培养模式。  相似文献   
193.
There has been increasing interest in recent years in the significance of a sense of place in the literature of outdoor adventure education. In the UK relationships between outdoor education and the environment still appear largely focused on the science of the natural environment and the activity in question. In this paper, we present empirical evidence from an action research project to demonstrate how a combination of formal and informal pedagogy in a higher education context can lead to a sociocultural and historical understanding of place and enrich the learning experience of students when teaching the classical outdoor adventurous activity of sailing. The sport of dinghy sailing is a module within a Bachelor's undergraduate degree in outdoor education and was taught from a small fishing town in Devon, England. We adopted an integrated and experiential critical pedagogy of place that allowed theory and practice, thought and action to be a holistic experience, and this approach provided opportunities for informal, as well as formal learning. This action research project explored the impact on the student experience when sailing skills were developed along with a sense of place. It used methods including: photo-elicitation, focus group interviews and evidence from the analysis of written student assignments. Our findings show that students discover a significance of the meaningful relationship between the sociocultural history of where that activity takes place and the activity itself and that as a result their experience of the learning and research process was enriched.  相似文献   
194.
城市雕塑是城市空间的艺术。一件好的城市雕塑作品,应该考虑到城市环境、城市文化、城市公众三方面的因素。一件好的城市雕塑作品,也应该出于自身的体验和某种心态的自然流露。  相似文献   
195.
This article examines the use of case-based approaches to fatal incidents in outdoor education (OE) with a view to fatality prevention. Fatalities are rare in OE and therefore it is nearly impossible for teachers to learn how to avoid fatalities from their own past experiences. It is, however, possible to learn from the mistakes of others through studying accounts of fatalities. Andrew Brookes, working with specialist OE undergraduates nearing the end of their course, develops the argument for reframing fatality cases as narratives in order for students to not simply analyse the incident in hindsight, but to view the accounts from the perspectives of the people involved at the time. Chris North discusses how he examined the impact of case-based fatality learning on pre-service teachers with a range of outdoor experience levels. The responses of students to studying fatalities required him to reframe his approach and consider how to better differentiate learning. The article argues that case-based learning can make a unique and important contribution to safety, but requires reflexive consideration of both curricular and pedagogical aspects.  相似文献   
196.
Bitmap (BMP) is a widely used format in image processing. With the combination of the digital image processing and computer numerically controlled (NC) techniques, we developed a bitmap-based NC single-step and multi-dot method. An example was provided to illustrate the application and principle of this bitmap-based method in our newly innovated sandblasting glass NC sculpture system.  相似文献   
197.
中国传统雕塑的色彩语言及其继承与发展   总被引:1,自引:0,他引:1  
色彩在中国传统的雕塑中发挥着极其重要的作用,从不同的角度代表了中国的文化精神和哲学美学思想,其形式具有绘画性、装饰性、多样性等特点,中国现代雕塑创作的用色应该继承传统雕塑丰富的色彩语言形式,弘扬本民族的雕塑艺术。  相似文献   
198.
户外写生课程作为艺术设计专业的基础主干课程,其目的在于开阔学生的视野。增强其对自然的理性认识,从而激发他们树立“以人为本”的设计理念。正确认识户外写生课程。在教学中最大限度地培养学生动脑、动手、思考的能力,能拓展创新意识、创新思维、创新方法、创新能力。  相似文献   
199.
按照现代审美和艺术生活化的新趋势和雕塑艺术的立体发展,将新生、新变的立体造型种类纳入雕塑的宏观体系,抛砖引玉式地建立了一个雕塑分类的新结构。  相似文献   
200.
Artistic patination is a traditional colouring technique for metal sculpture, employed by artists in ancient and modern times for aesthetic purposes. Today, knowledge of the artistic value and the chemistry of this superficial chromatic layer, called ‘artistic patina’, can be successfully acquired through a close collaboration between living artists, foundry artisans, and scientists. Starting from several interviews with the Italian artist Nado Canuti and foundry artisans, specific information was gathered about patination methods and the artist’s attitude towards materials restoration. Afterwards, the patinas most used by Canuti were reproduced to study their nature before any ageing or degradation. Their chromatic values, morphologies, and compositions were studied employing a range of techniques such as colour measurements, scanning electron microscopy with energy dispersive X-ray spectroscopy, and micro-Raman spectroscopy. The collected data revealed the formation of main compounds (cuprite, cassiterite, rouaite, chalcocite, isocubanite, and ferroxyhite) and additional compounds (atacamite and CN-containing compound). The scientific results, as well as the artist’s statements concerning the patinas’ significance, maintenance, and conservation, will contribute towards the future care and preservation of Canuti’s sculptures.  相似文献   
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