消费社会下电视媒体的女性话语建构的得与失

文章通过分析明确了时尚类女性节目负担着重新建构新女性形象的重任。同时,提出了媒体应该改进时尚类节目,取其精华、去其糟粕,应该内外兼修,构建女性气质。     

网络流行语的语义变异探析

网络流行语(Popular Internet Language)是一种特殊的语言变体,正受到语言学界越来越多的关注。变异性是PIL的标志性语言特征,该特征却是研究者们迄今较少关注的一个层面。笔者从语义层面通过典型实例对PIL的语言变异进行探讨,将其归纳为旧词别解、旧词新义、表意数字、语形解构、其它新解五类,并进一步从历时语言学角度讨论了PIL的发展变革规律及其规范化建设问题。     

第三代诗歌的四个状态

20世纪90年代，中国新诗进入一个新阶段。这一阶段的年轻诗人，泛称第三代。他们的诗歌呈现这样四个状态，即：口语化状态、尘俗化状态、零度状态、知识分子状态。这些状态既有积极因素亦有消极因素。     

《每周评论》的传播学意义

《每周评论》是五四时期的重要刊物,对推动五四运动的爆发起了舆论导向作用,促进了新文化运动的发展,重新审视这一刊物,研究它的发生、发展以及它在传播学上的意义是很有必要的,将有利于把握和促进中国现代史以及现代报刊传播史的研究。     

《三国演义》"人本"意识试探

根据“天下者,非一人之天下,乃天下人之天下”这句话,在《三国志通俗演义》各版本中的变异情况为考察对象,以嘉靖本《三国》和毛本《三国》为主要参照本,通过这两个版本对此话的删留态度,探讨小说“人本”意识的嬗变及其与时代的关系。     

Shark Week and the Rise of Infotainment in Science Documentaries

This study used content analysis to determine if the Discovery Channel's Shark Week incorporated more elements of science or entertainment frames after partnering with ocean conservation organizations in 2010. Drawing on cultivation and framing theories, and discussing the rise of infotainment in science communication, the study determined that the Discovery Channel did incorporate more science frames after 2010 but continued to depict sharks primarily as violent killers.     

大众健美操锻炼对肢体协调性及心功能的影响

健美操运动是人们喜爱参加的体育运动项目,是实现《全民健身计划纲要》的重要途径之一。现代体育的发展要求健美操的锻炼具有科学性。基于这一认识,文章就大众健美操创编的合理性和对人体影响的有效性进行探讨,为大众健美操科学地向前发展提供参考依据。     

The Good Will Hunting Technique

“The Good Will Hunting Technique” analyzes and enacts rhetorical paradigms present in popular culture. The main objects of examination are Gus van Sant's film, Good Will Hunting, and Eminem's music video “Mosh.” The author extracts positive aspects of popular culture to feature a rational-affective approach to rhetoric. The notion of mind–body rhetorical collaboration, which stems from Behavioral Doctrine developed during Germany's Weimar era, combines an emphasis on exteriority with traditional notions of rhetoric to establish a method for progressive action in lived reality.     

Stick it in Your Ear: The Psychodynamics of iPod Enjoyment

Through a sustained critique of the iPod and discourse about it, this essay advances a psychoanalytic rhetoric of music that characterizes listening experiences in terms of two psychical economies: the psycho-somatic or experiential and the symbolic. We argue that these economies work together to produce the fantasy of a “sonorous envelope,” a re/presentation of losing one's self in music. Because the dis/pleasurable experience of the sonorous envelope is a retroactively imposed understanding of an otherwise ineffable musical encounter, we argue for analyzing representations of the sonorous envelope in popular culture.     

Record and Hold: Popular Music between Personal and Collective Memory

Recorded music is vital to the construction of personal and collective cultural memory. My examination of the interrelation between personal and collective memories of popular music assumes both that human memory is simultaneously embodied, enabled, and embedded, and that (re)collective experiences are constructed through narratives. Analysis of an online set of narrative responses to a national radio-event, the Dutch Top 2000, shows that we need public spaces to share narratives and to create a common musical heritage.