Creative Potential within Policy: An Analysis of the 2013 English Literature Curriculum

This article takes as its focus Lefebvre's trialectic of conceived, perceived and lived spaces as a lens through which to scrutinise the 2013 English Literature Curriculum, and to explore the extent to which creative spaces might exist within that curriculum. The article analyses how the curriculum is envisaged by policymakers and how it might be expected to be translated into practice, utilising the wording of the policy document to facilitate an exploration of what its underlying intentions might be. The author's experience of teaching a poem from the new curriculum is used in order to provide illustrative examples of the ways in which teachers’ and learners’ experiences of the curriculum might, in practice, diverge from the direction envisaged by policymakers as teachers negotiate creative spaces within their classrooms.     

Developing a Theoretical Framework for Response: Creative Writing as Response in the Year 6 Primary Classroom

Focusing on the creative writing of Year 6 boys as they make the transition to Year 7, this article establishes a theoretical model for creative writing as response. In line with Bakhtin's notion of utterances as ‘interpersonal’ (1986), the model demonstrates the complexity of creative writing – the text is influencing of and influenced by an author's participation in ‘figured worlds’ (Holland, Lachicotte, Skinner and Cain 1998), but also influencing of and influenced by future respondents. This article suggests that ‘weaker framing’ (Bernstein 2000) in creative writing pedagogy has the potential to alter boys' identities and refigure their worlds.     

非个人化与作者之死--论西方文论中的主体性问题

本文论述了西方文论中的创作主体性问题.欧洲诗学传统精神是对创作主体加以消解.到了19世纪浪漫主义文论高扬作家主体,作家的地位至高无上.济慈以"消极感受力"、艾略特以"非个人化"理论对浪漫主义进行反驳,成为新批评的先声.苏珊·朗格以形式主义符号学来调和个人感情和社会公共感情之间的矛盾.结构主义和后结构主义认为作者已"死".     

高校实施创新教育探索

文章从培养大学生创新能力角度出发,提出了高校应从改变传统教学模式、营造开放课堂气氛、改变传统的对教师及学生的评价观、优化课程设计及设立科研学分等几方面出发,培养顺应时代发展要求的具有创新能力的人才.     

高等学校培养高层次创新人才的探索

创新人才的本质特征是创造性，创新人才还具有其独特的人格特征及个性心理结构。高等学校为了培养和造就大批高层次创新人才，就必须以创新为核心目标，进行整体、系统和综合的改革：转变教育思想和观念；改革课程体系：突出大学生创新能力的培养；创设有利于大学生创造性发展的学习环境；塑造大学生的创造性人格；增强高校教师的创新精神，提高高校教师自身的创新能力。     

邓小平理论是对毛泽东思想的继承和发展

马克思主义、毛泽东思想、邓小平理论是一脉相承的统一的科学体系。邓小平理论是当代中国的马克思主义，是对毛泽东思想的最好继承和创新发展。本文试图从理论、历史和现实等方面进行阐述。     

试谈《二十一世纪报》阅读课程创新教学

英语报刊阅读作为一种新型的英语教学方式被引入课堂,必将丰富教学资源,拓宽学习和运用英语的渠道。以新课程标准为指导,在运用英语报刊进行英语阅读教学中,应综合应用听、说、读、写各项技能,以实现英语阅读教学的创新目标。     

我院广告学系毕业设计指导刍议

从毕业设计选题、研究方法、研究原则等方面,阐述毕业设计教学要以问题研究为导向,面向事实本身,整合优化求知方式;以实战型策划、实证性研究为依托,从封闭式的单向度研究转向开放式的多向度研究,促进理论探索与广告实践相结合。同时,以创新教育为核心,拓展学生创造性研究能力,尊重创新研究的自主权,全面提升毕业设计质量。     

创作方法废弃论商榷

20世纪80年代之后中国文艺理论界有一种主张废弃创作方法的观点.废弃论的理由难以成立作家的创作经验证明,创作过程中作家往往自觉地遵循某种原则;用"风格"取代"创作方法"不可行,它们二者是交叉关系.创作方法的涵义应该单纯,应该回到歌德和席勒所确定的涵义.     

基础物理实验创新教育探索与实践

针对当前大学物理实验课程教学存在的问题，讨论了大学物理实验课程的目标与定位，提出了以素质培养为中心的物理实验教学新体系，并总结了这种探索与实践取得的效果．