湖北"共享工程"资源建设若干问题探析

对“共享工程”资源建设的思路、内容、建设目标及存在的问题与对策等若干问题进行了阐述与分析。     

电视的危机

电视危机的到来无法避免,主要基于两方面的原因:一是技术进步的必然结果,任何新兴的媒体必然以自身技术上的优势对旧有媒体形成冲击,互联网与电视的关系形象地说明了这点;一是当代电视所形成的文化品格,长期以来形成的电视的观念、电视和受众之间的关系也给电视自身的发展带来了危机.     

早期记者的职业意识和精神危机

早期记者产生于外人所办报馆 ,孕育于半殖民地半封建社会。从产生之初就深受西方新闻观念影响。中国最早的现代意义上的记者正是在西方文化冲击下 ,初步形成了自己的职业意识和观念。同时 ,他们又受传统文化影响 ,难以摆脱传统观念影响 ,热衷科举 ,对西方文化表现出排斥心理。本文试图通过揭示早期记者的职业认同危机、科举情结、文化认同危机 ,考察分析早期记者的职业意识和精神状况 ,以及其对新闻工作的影响     

Excluding archival silences: Oral history and historical absence

Despite our society's increasing reliance on electronic documentation, to-date archives remain, largely, material repositories of cultural memory. It is an accepted historical problematic, however, that culture is often resistant to material preservation. There exists an undeniable and profound tension between scholarly efforts to reconstruct history and interpret cultural traditions and the fragmentary, and often limited, material record. That is to say, scholarship is shaped by a sinuous negotiation around the historical silences that encompass all of material culture. Historical silences, however, can at times be marginalized (or at best excluded) by a sensitive configuration of material evidence with oral history.Excluding Archival Silences: Oral History and Historical Absence uses a historically and geographically specific example of oral history to engage in a more generalist discussion of how oral reflection, especially when shaped by material evidences, can be an especially effective tool for preserving the dynamics of culture that often remain undocumented.     

The metamorphosis of medical discourse and embedded cultural rationality: a content analysis of health reporting for neurasthenia and depressive disorder in China

Neurasthenia (shenjing shuairuo) and depressive disorder are medical issues that have given rise to disputes in China for more than 20 years. Since the 1980s, the once ubiquitous diagnosis of neurasthenia in China was rapidly substituted by depressive disorder in the clinical context. Globally, the metamorphosis from neurasthenia to depressive disorder heralded the triumph of scientific rationality, which identifies neurasthenia as a categorical fallacy. In China, however, neurasthenia retained social and cultural significance; thus, it has become a contestable discourse in relation to depressive disorder. By examining the health reporting of both discourses over a decade, this study explicated how neurasthenia and depressive disorder were represented in a popular health newspaper in China. The content analysis showed that neurasthenia is a more culturally and everyday embedded discourse closely associated with Chinese medicine and laymen’s discourse, while depressive disorder is more associated with Western medicine and the professional discourse. The differentiation of two sets of medical discourse evinces that despite the ostensibly prevailing scientific rationality in media health reporting, cultural rationality is deeply embedded in communicating mental health issues with the lay public. It further suggests the significance of investigating the social and cultural expression of mental illnesses in China.     

How U.S. and Chinese journalists think about plagiarism

A comparison of 1,096 professional journalists in China and the United States on attitudes toward attribution and plagiarism reveals Chinese journalists were more likely to see attribution as a practice to be embraced regardless of career longevity and culture, suggesting journalistic norms are more important than a collectivist orientation. Attribution was more likely to be embraced by those who see principles as more important than expediency, affirming research that plagiarism is hardly a monolithic concept. Overall, journalists in the two nations did not vary significantly in their attitudes toward plagiarism, despite vast differences in culture and politics as well as evidence that in some other fields China is more accepting of reusing material without attribution. The data show that among journalists, attitudes toward plagiarism are shared across national boundaries, reinforcing related research showing that a journalism culture exists and is shared at least in part across national boundaries.     

Worn Grooves

Drawing from visual, material and written archival sources, this article critically explores some of the functions, uses and perceived values of recorded sound during the First World War and in its aftermath. An instrument of communication as well as commemoration, the gramophone helped bridge geographical (and, in some cases, cultural) distances between the home front and the rear, providing civilians with the fleeting illusion of presence, proximity, or even sentimental communion with the front. The article analyses (a) the affective and connective, but also propagandist, values of commercial wartime recordings as they circulated between the home and the front, (b) the popular notion of gramophones as regulatory instruments of civilisation, (c) the commemorative exploitations of recorded sound in the interwar period. The article focuses on the British experience, contrasting it with examples drawn from French and German experiences.     

文学翻译中文化因素的把握——杨宪益、戴乃迭所译《儒林外史》点评

文学翻译中对文化因素的把握是一个重要问题。本文从这一角度出发,对清朝吴敬梓所著《儒林外史》和杨宪益、戴乃迭夫妇的英译本进行比较,指出译文在文化因素的把握处理方面有几个值得再加斟酌之处,并予以分析说明,以期在文学翻译中文化因素能得到进一步的重视及更为妥善的处理。     

谈中西文化差异与翻译策略

语言是文化的载体,承载着丰富的文化信息。因此,翻译不仅是语言代码之间的转换,还是一种跨文化的交际活动。译者在进行翻译时要根据中西文化之间的差异选择有效的翻译策略,以实现译文与原文的语用等效。     

意象的传译

意象是文学理论的重要概念之一。在翻译的过程中,语言的转化只是表层,忠实地再现、传递源语中文化意象的异质性才是翻译的实质。在当前国际文化交流日益扩大和多元化的语境中,对源语中文化意象进行传译具有特殊的重要意义。