对人生终极理想的独特表述－论《到灯塔去》中拉姆齐夫人的形象及其意义

《到灯塔去》的女主人公拉姆齐夫人是一位把自己的毕生精力都奉献给家庭,并以博大的爱无私地关怀着别人的女性,作伍尔夫从女权主义学理论出发,通过拉姆齐夫人的形象了两方面的思想：（1）人生的终极理想应该是获得宁静和谐的心境,无私地帮助他人,使人们彼此理解,互相关怀,友好相处,而不是获得名利,地位。（2）女性可以从自身的特质出发,对人类起到了独特的作用。     

Ethical Leaders Resist: A Feminist Response to ACCEL

This response to Sternberg’s ACCEL (Active Concerned Citizenship and Ethical Leadership) model aims to provide a feminist perspective on the rationale and relevance of the model in mitigating harmful patriarchal gender expectations. Additionally, this response investigates potential barriers to the implementation of ACCEL as a model for gifted education. Furthermore, it examines Sternberg’s ACCEL model as a tool that can help create a more egalitarian society that actively challenges and resists harmful gendered stereotypes.     

Social reproduction and sex in German primary schools

To understand the relationship between social background and sex in schooling, we use Bourdieu’s theory of social reproduction and a feminist perspective of gender as practice. We pose two questions: (1) What is the relationship between economic and cultural capital and achievement for 4th-grade females versus males studying in Germany? (2) Is the relationship between school composition and student achievement different for 4th-grade females versus males? We report no differences between females and males in the relationships between social background and achievement (p > 0.05). However, the relationship between class-aggregated social background and achievement is halved in female-majority mathematics classrooms (β = -12.6, p < 0.05).     

女性主义经济学在经济学丛林中的地位及其方法论启发

女性主义经济学在经济学丛林中有着非常重要的地位,它对新古典经济学的批判与其他非主流经济学流派在本质上是一致的。女性主义经济学以及其他非主流经济学对新古典经济学所持的态度也是内在地统一的,那就是要吸取新古典经济学的合理之处,找到市场运行的家庭、制度、历史、政治、自然环境基础,找到市场经济的终极目标,使市场为提升人们的福利水平服务。也就是说,要把新古典经济学语境化,关怀人类赖以生存的家庭、社会、制度、伦理、自然等语境。女性主义经济学在经济学丛林中的地位对于经济学消除性别偏见、重构价值观等方面有着深刻的方法论启发。     

The Rhetorical Work of YouTube’s Beauty Community: Relationship- and Identity-Building in User-Created Procedural Discourse

ABSTRACT

This study investigates YouTube’s beauty community, an online group of women who make videos about makeup products and techniques. The videos contain makeup application instructions and challenge ideas about what is “usable” procedural discourse. They sometimes defy conventions for high production quality. Moreover, storytelling and instruction are integral to the rhetorical work of these tutorials. For the diverse groups in this community, procedural discourse also serves as a means of establishing credibility not otherwise afforded to them, as well as opportunities for identity- and relationship building.     

《阿格尼斯·格雷》中主人公的女性主义意识

《阿格尼斯·格雷》是女作家安妮.勃朗特的作品,展示出一位善良并具有女性意识的女性形象。从女性主义的视角分析女主人公阿格尼斯的女性主义意识及形成原因,从而探索女性在社会中如何确定和实现自我价值。     

译者性别身份影响下的《到灯塔去》两译本相异性及归因

文学作品的翻译是在一定的特殊的社会气候中发生的不同语言文化之间的交流。译者在翻译过程中也将受到多个维度和视角的影响。男性译者和女性译者在翻译实践中会受到社会、性别、文化等各个方面的影响从而导致不同译本的产生。《到灯塔去》是女性主义作家弗吉尼亚.伍尔夫的代表之作。文章通过《到灯塔去》瞿世镜和王家湘两个译本的对比来研究译者性别身份影响下,不同性别的译者对于同一作品的不同翻译策略以及导致这种差异性的原因。     

Am I a woman? The normalisation of woman in US History

The curriculum of US History has improved substantially in its presentation of women over the 40 years since Trecker's 1971 study of US History textbooks. While studies show increased inclusions, they also suggest that women have not yet claimed their own place in the school curriculum. This paper seeks to better understand the woman who is presented to students and how she is normalised through a US History curriculum. Feminist analysis of the curriculum exposes a concept of woman attached to the domestic sphere and reified through her presentation in the political and economic realms. When considering the images of woman available to young people, it is important to examine the full context around these images that shape the deeper meaning students take from curricular encounters.     

论弗罗斯特诗歌中的女性主义特征

罗伯特·弗罗斯特的诗歌中具有明显的女性主义特征。这些女性主义特征主要表现在女性对家务劳动的厌倦,对自由的渴望;女性敢于冲破家庭的牢笼,为寻求自由而献身;女性敢于为追求自由和幸福的婚姻而抛弃家庭,与她们心爱的情人私奔。弗罗斯特还以女主人公的姓名缺失对男尊女卑的父权制予以揭露和批评。