绵竹年画中的女性形象分析

绵竹年画是中国四大年画之一,以彩绘见长,具有浓厚的民族特点和鲜明的地方特色。绵竹年画选材多样,造型生动有趣,其中最为典型的是绵竹年画中的女性形象。这些女性形象的年画作品讲究构图对称、完整、饱满;内容主次分明,多样统一;色彩上采用对比手法,设色单纯、艳丽,强烈明快,构成红火、热烈的艺术效果;线条讲求流畅,刚柔结合,疏密有致,具有强烈的节奏感;而夸张、变形、象征、寓意的造型,更具诙谐活泼的效果。     

数码新闻图片的“PS”危机及对策探析

本文针对数码新闻图片的“PS”危机,探析了完善制度建设、增加违规成本、引进国外行规、加强技术防范以及网络监督和职业教育的相应对策。     

武强年画产业化发展的思考

武强年画是全国民间年画中的佼佼者,和全国各地大部分的木版年画一样,武强年画有过自己辉煌鼎盛的历史,目前也面临着生存与发展的困境。要实行年画的现代产业化发展,必须适应现代社会的需求而创新,创新的关键是人才的培养,融入旅游业,用市场经济方式培育和开拓市场也是很重要的。     

Decorative pictures and emotional design in multimedia learning

Recent studies have shown that the positive emotional design of learning environments might foster learning performance. In contrast, the seductive detail effect postulates that additional, learning irrelevant details inhibit learning. This research focusses on the implementation of decorative pictures as a prime for emotions and context-relatedness. This study examines four groups of decorative pictures which might be conducive for learning. Eighty-two students were randomly assigned to one cell of a 2 (emotionally positive vs. emotionally negative pictures) × 2 (school context vs. leisure context pictures) between-subjects, factorial design. The dimensions of pleasure, arousal, and dominance are examined as possible mediators. Results show that either positively valenced pictures or learning pictures foster retention and transfer performance. Pleasure is identified as mediator of the effect between valence of pictures and learning performance. A further analysis shows differences for arousal and dominance for both factors. These results are interpreted with concepts like motivated attention and other arousal theories.     

用“线条添画”启发儿童学会联想与想像

儿童依靠直觉把握物象基本特征,创造性地表现视觉意象,体现美的自然法则,这是人类的审美本能。儿童的线条是他们直觉的表现。儿童画线的渊源是因为他们从出生起一直在表现自己。这种用线来表现儿童内心世界的东西一旦被引上正规化的道路,将完成用线造型的环节。“线条添画”是将儿童的直觉、线条、联想和想像都连接起来。“线条添画”中包含两个概念：联想、想像。“线条添画”的最终目的是引导儿童从无意到有意想像。通过“线条添画”的教学能够唤醒儿童“见异思迁”的创造潜能。当然,这仅仅是一种尝试。从儿童的认识特征入手运用“线条添画”使他们拥有联想的能力,实现创造性的思维。     

学前教育美术专业教学探析

绘本剧是一种艺术性的表演模式,从表演中可以获得学前美术学习的方法和经验,这是培养学前教师自主性和创新性的一种全新的教学方式。利用这种方式在学前教育美术课堂的教学活动中可以其提高美术教学质量,探索出适应学前教师的身心发展和美术课程要求的有效性路径,要不断改进教学方法、学习方法、引导自主思考,让教师沉浸在乐于探索、勤于动手的学习环境里,从而培养积极而持久的学习兴趣、创新思维和实践能力。     

论沈兼士的文字起源说对中国文字学的贡献

本文介绍了沈兼士文字起源于语言和绘画的二元说,评析了后起文字学家对沈说的批评,论述了沈说的科学性及其在中国文字学史上的地位。     

著名学者陈平原先生访谈录

陈平原先生是我国当今最耀眼的著名学者,他知识渊博,思想深刻,其研究领域包括了20世纪中国文学、中国散文史、中国小说史、现代中国学术史、文学史/教育史/学术史、图像研究、都市研究等.他独辟蹊径,勇于探索,在他研究的每一个领域都有开创性的贡献,被誉为"开风气的人".2006年2月6日下午,笔者就陈平原先生的研究思路、目前正在研究和近几年要研究的情况进行了采访,并邀请郑欣欣等四位教授、博士从专精学术、人间情怀、课堂讲授和从师印象四个不同角度撰写了研究论文,一同发表,以飨读者.     

Effects of Diagrams on Mathematics Performance

Research on the facilitative effect of diagrams on solving mathematics problems is both inconsistent and inconclusive. This study investigates the effects of diagrams on 124 Singaporean pupils in three classes: Primary One and three, and Secondary One. Pupils' performance was measured with the use of teacher-written mathematics problems in the form of worksheets. Number of errors made on problems accompanied with and without diagrams were compared. Whether or not pupils benefit from diagrams was estimated by their patterns of errors made in the presence or absence of diagrams. Results both confirm and disconfirm previous findings and shed further light on the use of diagrams in mathematics.