先秦两汉"看图讲诵"艺术与俗赋的流传

先秦两汉时期存在着大量的故事图画,这些图画,在传世文献和出土文献中多有记载,新发现的岩画或出土的陶器画、画像砖石、壁画及漆画、帛画中有大量实物.其时有数量不少的文献赞颂英雄圣主,讲诵故事,描述情节,语言上节奏感强,韵律和谐,明显带有讲诵的遗迹;甚至还有图画和赞诗合为一体的作品.先秦两汉时期与故事图画相配合的文体,与敦煌石室出土的俗赋极其类似.所以,看图讲故事是俗赋传播的方式之一.秦汉俗赋是变文的源头之一,变文的看图讲故事正是从早期俗赋发展而来的.     

暴力图片对大学生攻击性认知的启动效应

以暴力图片和词语为实验材料，随机抽取120名大学生，采用评价词语关联程度和词语记忆方式，从思维和记忆倾向两方面考查暴力图片对攻击性认知的启动效应，结果表明：（1）暴力图片启动了大学生的内隐攻击性认知。（2）由图片启动的内隐攻击性认知没有显著的性别差异。     

寂静之维下的艺术探索--评李锐"农具系列"

李锐“农具系列”短篇小说的主题以农具为基点衍射到农村现代化进程中不同的层面。其质量上乘者以叙述口吻的冷静、人物心态的平静和周围景物的安静三种方式交互切入内容．题材的内在悲凉感进而延展为一种寂静的艺术效果。相关农具的图文资料与小说正文的匹配于寂静之外亦彰显出某种形式的活力。     

Pictorial Illustrations Still Improve Students' Learning from Text

Research conducted primarily during the 1970s and 1980s supported the assertion that carefully constructed text illustrations generally enhance learners' performance on a variety of text-dependent cognitive outcomes. Research conducted throughout the 1990s still strongly supports that assertion. The more recent research has extended pictures-in-text conclusions to alternative media and technological formats and has begun to explore more systematically the whys, whens, and for whoms of picture facilitation, in addition to the whethers and how muchs. Consideration is given here to both more and less conventional types of textbook illustration, with several tenets for teachers provided in relation to each type.     

浅谈电视画面的剪辑

电视剪辑是一项实践性很强的工作.剪辑基本原则及技巧,主要是为了保证画面组接的连贯流畅.但剪辑并非“机械”的,除了保持视觉流畅外,更应注重情绪发展的连贯性及观众心理感受的连续性.     

图片在大学英语口语教学中的应用

随着大学英语教学改革的实行,口语教学在大学英语教学过程中的地位日益凸显,学生英语口语的学习和提高成为教学中的重要组成部分。为此,本文论述在英语口语教学中如何使用各种图片来刺激学习者的视觉神经,引导学习者产生口语表达的愿望,增加口语表达的机会,以此提高学习者的口语表达能力。实践表明,这种教学方法简单易行、操作性强,而且效果不错。学习者用此方法练习口语的同时,听力也得到相应提高。     

论弗罗斯特诗歌中的色彩意象

弗罗斯特诗歌中有很多色彩意象。这些色彩意象主要有白、红、蓝、黑、绿等。弗罗斯特诗歌中的一些花草名以及诗的题目的色彩效果也十分突出。弗罗斯特在同一首诗中将若干不同的色彩意象或相同的色彩意象呈现出来,有时他还把相反的色彩词并置在一起,而有的时候他则在同一首诗中使用多种色彩意象。弗罗斯特还将色彩意象与动觉意象和其它意象结合在一起使用。弗罗斯特诗歌中使用的色彩意象拉近了读者与自然的距离,赋予其诗歌多重暗示意义。弗罗斯特诗歌中的色彩意象展现了美丽的自然,具有愉悦功能。     

论汉乐府与汉画像图文关系中的诗性空间

诗性空间是人类运用想象力开拓的基于现实空间又超越现实的一个空间。汉代的诗性空间是用集体性的想象力去构筑的独特空间,在汉乐府与汉画像的图文关系中得以体现。汉乐府以生映照着死,汉画像以死反映生。前者以"生存"来反映现世,寄托来世;而后者则以汉代人幻想的理想世界图像呈现,过去与现世的生活贯穿其中。诗性空间即在"存在"之中,在无限接近自由的那个点得以实现。把汉乐府歌诗与汉画像的视觉艺术结合在一起,有利于在一个大文化领域中更好地探讨汉代人的生命意识。     

运用图片与影音资料于外国文学多媒体教学课件

外国文学教学中应用多媒体课件时适当地引入图片与影音资料,可起到加强形象化之效果。就运用图片与影音资料在凸现多媒体的优越性、图片与影音资料的选用原则以及搜集和利用方法等方面展开探讨。     

Improving Student Engagement in Commercial Art and Design Programmes

The continued viability of art and design programmes depends on our ability to produce graduates able to contribute successfully and confidently to the future of the creative industries. This in turn depends on our ability to lead students to develop both the ability and the motivation to learn. A significant proportion of our students however, are not adequately prepared or inclined to engage with the learning environment. Based on a review of the literature on student engagement, this article attempts to identify the origins and examine the impact of the perceptions and attitudes (the ‘mental pictures’) that currently limit our students' ability and inclination to engage as well as those factors (including the features of our programmes) through which these ‘mental pictures’ may be inadvertently reinforced. It then proposes a number of practical suggestions to make more effective use of the learning outcomes of art and design programmes in order to mitigate their influence and thereby improve both our graduates' capacity and inclination to become more competent professionals, as well as self‐directed learners.