Transitions in Wear and Friction of Carbon Fiber Reinforced Copper Matrix Composite Sliding Against AISI-1045 Steel

Carbon fiber reinforced copper matrix composite is anewtype of material that can be used in an unlubricatedfriction pair because it has a good self-lubricating perfor-mance in dry sliding against the steel[1 ,2].The wear char-acteristics of composites int…     

多功能薄膜干涉实验装置的应用

在常规实验装置的基础上设计安装了一个光具架,由此制成了一种多功能薄膜干涉实验装置。在该装置上不仅可以完成常规的牛顿环实验,还可完成劈尖干涉实验和多种扩展实验,解决了在单一薄膜干涉实验装置上只能完成一种实验的弊端。     

English education in the Indian multi-lingual classroom

In Britain, film studies came on the agenda in the 1970s, when it served as a terrain for the formulation of a critical understanding of how cinema functioned within the broader context of industrial capitalism and the nexus between that and the reshaping of people's habits and lives. However, during that decade, a different agenda was also at work, which, from the early 1980s, began to receive support from neo‐liberal ‘free‐market’ ideologues. Over a period of 30 years, the overall direction of the inquiry into cinema, now firmly sealed into institutional networks, has become such that the critical language of ‘film theory’ has been hollowed out and the industrial agenda of British national television and cinema wrapped around it. Today, with the opening of film studies departments across Asia, the question is not whether outside Britain the language of film studies will became available for instrumentalization by the forces of an expanding Euro‐American capital, but how it will do so. This paper argues that the recovery of film from the bureaucratization of its study and its rediscovery as one of the modalities of modernization require both a framework of analysis that is fully conscious of its own historicity and critical role, and a new topography of cinema.     

浅谈影视表演与戏剧表演的区别

电影表演与戏剧表演同属表演艺术,在创造人物形象上是一致的,在创作表演方法上存在着许多共同的规律性。这决定了戏剧演员与电影演员可相互流通人才。然而,电影表演和戏剧表演又从属于不同的艺术门类,它们受到电影和戏剧各自不同的艺术特性和美学原则的制约。无论电影还是戏剧它们各自的艺术形式都为演员的表演提出了限定,只有演员遵循各自的艺术规律,掌握表演技巧,才能完成人物的塑造。     

论《黑暗中的笑声》的电影叙事策略

从《黑暗中的笑声》所使用的电影背景、电影画面和电影手法等特点出发,深入发掘小说的电影叙事策略,突出小说通过电影叙事所达到的"游戏性"、"娱乐性"效果,论证纳博科夫杰出的叙事技巧和独特的艺术理念。     

玉米醇溶蛋白膜的制备及其在保鲜中的应用

研究了不同提取剂和不同固液比对玉米醇溶蛋白提取效果的影响,结果表明:以1∶6比例的60%丙酮为最佳提取剂.用玉米醇溶蛋白涂被剂保鲜小番茄,最佳涂被剂配方为:玉米醇溶蛋白1.75%,甘油0.18%,蔗糖0.5%,并辅以0.02%乳化剂与防腐剂,不仅可延长小番茄的贮藏期,还可减少小番茄在贮藏期间的营养成分损耗.     

由影视剧作的改编所想到的

在科学技术高度发达、人们尽情享受现代化物质文明的同时,一个不容忽视的问题应引起高度重视.不少人以影视观赏代替文本阅读,长此以往,人们(尤其是青年学生)创造性的思维力和想象力被遏制,写作能力低下.影视观赏固然能带给人们无尽的快乐,但它对人也有负面影响.呼吁多些文本阅读,少些影视观赏,以发展和张扬人的主体个性、想象力和创造力.     

支线可控互动电影的存在价值

在电影工业基础理论创作趋于成熟的当代,数字化技术给予了影视表现更大的发展空间,将叙事文本创作与电影技术革新进程有机结合在一起,使之与观影者相互交替控制的游戏化电影体验成为可能。支线可控互动电影使观众成为电影的真正主人,并将通过运用科技技术成果推动新一轮电影叙事的革新。     

公选课《微生物与人类》的教学探索与思考

基于公选课的开设目的,根据开设公选课《微生物与人类》的教学实践,介绍了该门课程教学内容的设置,对教学过程中影片教学法、案例教学法、问题导向式教学法等教学方法的实施进行了探讨,并对教学考核的实施进行了阐述。