教师信念研究的进展与走向分析

近20年来国内外以教师信念为主题的研究取得了一些进展。主要表现在:1.研究的广度上,从教师信念的定义、结构、类型、影响因素,到形成机制都进行了广泛的研究;2.研究的视角发生了变化,跨学科研究越来越多;3.研究方法上,实证研究日益占据主导地位,也取得了一些让人信服的结论;4.教师信念研究成为教师成长研究中的新热点。     

走向真实、走向世俗 --李贽的市民意识及其美学思想简论

李贽是明代中晚期出现的近代反理学民主思想的代言人。在其与市民接触的过程中，形成了其独特的具有市民意识的美学思想，而且也正因其与市民的接触，所以对俗学他是持高扬支持的态度。     

老舍与重庆

老舍在重庆的抗战文化活动及文学创作,为抗战文艺运动和重庆文学的发展作出的突出贡献,是重庆文学乃至整个中国现代文学的重要组成部分。     

关于云南现代文学的随笔和札记

本文谈及云南现代文学的四个作家.冯至和李广田均写过桉树礼赞类颇具特色的诗.关于《铁轮》和《未完的争斗》,介绍了不大为人所知的史料并加以若干考证.     

Interthinking: Young Children Using Language to Think Collectively During Interactive Read-alouds

Mercer, N. (1995) coined the term interthinking to link the cognitive and social functions of group talk. Essentially, interthinking means using talk to think collectively, to engage with others’ ideas through oral language. In this article I share four excerpts from small group interactive read-aloud sessions that were conducted with Grade 1 children, and examine the nature of the interthinking that occurred during these discussions of picture books with Radical Change characteristics (Dresang, E. 1999). I examine the types of discourse that occurred during these read-aloud sessions and some of the techniques I used to guide the children in their construction of knowledge of these contemporary picture books.     

试论中国古代文学课的女性主义教学法——以唐宋时期女性的文学书写为例

中国古代文学的女性主义教学法强调以社会性别的视角和立场作为基本教学方法,还原古代社会女性的文学书写状况,修正过去那种忽视女性经历和女性经验的理论,最终形成比较系统的、主要以文学形式来描绘的关于女性的实践生活和心灵发展的历史。对唐宋时期女性文学书写的教学应在基础资料和文学史实的澄清、女性作家作品的“特质”、女性文学书写的定位以及女性文学书写得以迅速发展的原因等四个方面贯彻女性主义的教学法。     

关于比较文学学科基本理论的再思考

比较文学的危机是学科理论的危机。比较文学亟待对自身做出明晰界定:比较文学是一种文学研究;必须跨越民族和语言的界限;必须抛弃"三跨"或"四跨"之类的旧说,只保留"两跨"的基本要求;比较文学的研究对象是各种文学关系;在理论与方法上应有高度自觉的比较意识。     

基于红色文化的高校党建工作品牌化建设实践探究

就目前高校党建工作而言,我们需要在红色精神的感染下,将高校党建工作推向一个新的台阶,以此来实现高校党建工作的品牌化发展之路。为此,作者从一名普通的高校党建工作人员的角度出发,简要介绍了红色文化在高校党建工作品牌化建设中存在的问题,进而提出了红色文化在高校党建工作品牌化建设实践中的应用策略,从而更好地利用红色文化推动高校党建工作的开展。     

School libraries fostering children's literacy and literature learning: mitigating the barriers

While qualified school librarians can have a positive influence on children's literacy attainment, very little consideration is given to the educative role of librarians in schools. Lack of attention on these librarians' educative capacity may be due to a devaluing of the educational contribution of school librarians, and it can be argued that school libraries are poorly valued in current times, as evidenced in cuts to budgets and staffing. While school librarians may foster literacy and literature learning through a range of strategies, and for diverse purposes, perhaps their most expected contribution relates to the fostering of literacy and literature learning through wide reading and reading engagement in students. However, little is known about the specific barriers that librarians in schools may encounter in achieving these goals in the current school environment. Research from teacher librarians at 30 Australian schools is drawn upon to explore barriers to children's literacy and literature learning in school libraries. Recurring barriers were limited time and competing demands, crowded curriculum, low teacher valuing, low student engagement, skills and motivation, issues with parental support, limited space and constrained budget. These findings provide a valuable foundation for future inquiry in this under‐researched space.     

气韵说考故阐新

气韵之气系指艺文之气.它是作为宇宙本体之气的分体,是人性之气与物之气在艺术创造领域中的交流、融合与凝聚,通贯于艺术创造的主体建构、创作过程、艺术作品与艺术的接受批评.气韵说的根本要求是一切艺术品应当与生命同构.在艺术品中,艺文之气应当流行顺畅如风,凝结强健似骨,虽阳刚与阴柔百态,但皆能显其生动之势,遒劲之力.而气之运化,和谐而有节律,因变化莫测而神,臻余味无穷而妙.气依韵而运化,韵本气而神妙."不着一字,尽得风流"乃艺术之至境,亦即"气韵生动"的极致.