翻译研究的“文化转向”与“本体回归”——对我国翻译研究现状的几点思考

针对当前翻译研究中对文化学派翻译研究和翻译本体研究的一些偏颇认识,在对译学研究的多元性和层次性进行分析的基础上,对文化学派翻译研究的缘起和研究目的进行探讨,廓清了其在翻译学研究体系中的位置。另外,对否定文化学派研究而提倡翻译研究本体回归的观点之偏颇性进行分析,并介绍了翻译本体研究的核心内容和新发展,指出翻译本体研究同样在走多元发展的道路,文化途径的翻译研究与本体研究在翻译研究系统下互相关联,并倡导以多元兼容的系统论学术思维对待不同层次的翻译理论研究。     

《史记》“太史公曰”文学特质浅谈

《史记》之"太史公曰"在文学史上具有开百代之先的地位。作为论赞,它附同于本纪、表、书、世家以及列传,并同它们一起组织起《史记》完整的结构。在烘托主文本的同时,也汇筑起了"太史公曰"作为表情达意的独特文本所具备的文学特质。     

The Library as Publisher

This article describes a half-day preconference that focused on the library as publisher. It examined how the movement from print to online publication has impacted the roles of libraries and their ability to take on new roles as publishers. The session explored the benefits of libraries becoming publishers, and discussed Open Access, what it is and is not and its importance to libraries and scholarly communication. A detailed case study of the publishing operations of the University Library System at the University of Pittsburgh was presented as an example of a successful library publishing program. The session provided an opportunity for participants to discover ways that libraries can be involved in publishing.     

Training in culture: the case of aikido education and meaning-making outcomes in Japan and the United States

This study investigated whether a relationship existed between instructional style and points of emphasis in the training context of the martial art aikido and the perceptions which practitioners of aikido generated for aikido-related concepts. The findings were gathered within and compared across aikido training settings in two cultures — Japan and the United States. Analysis of the quantitative and qualitative data gathered for this investigation revealed several potent differences between the manner in which Japanese and American aikido practitioners represented their understandings of aikido-related concepts. Differences in the manner in which aikido practitioners in Japan and the United States represented their understandings of aikido reflected the teaching emphasis observed in the respective cultures. It was concluded that aikido instructors represented the values of their own culture in the context of aikido training, and thus served as important mediating forces influencing the meaning which practitioners generated for aikido. An additional finding revealed that in neither culture were participants able to accurately represent how practitioners in the “other” culture structured their understandings of aikido. It was reasoned that both cultural groups generated faulty perceptions of how the “other” group understood aikido because they utilized a similar pattern of projection, using their own meanings of aikido to represent the understandings of practitioners in the “other” cultural group.     

论库普林小说《亚玛》的文学特色

俄国著名的现实主义文学大师库普林的小说笔法通俗易懂,引人入胜,他是20世纪初最受读者喜爱的作家之一。其代表作《亚玛》与古今中外相同题材文学作品相比特色鲜明,具有强烈的社会批判色彩。本文试对库普林和他的小说《亚玛》的文学特色做一个略作评介。     

论司马相如文学创作的风格及其生成要素

综观司马相如的文学创作,无论是其赋作还是散文创作,都呈现出恢弘飞扬和细腻婉曲同时兼具的双重风格,表现出整体与细节充分结合的完美统一.本文旨在对司马相如文学创作的这两重风格及其生成要素给予细致的探讨.     

传播学框架下的新翻译观——简评《英汉翻译教程》

本文为《英汉翻译教程》简评,主要从全书的内容简介和观点创新和学术特色几方面评介此书。指出该书是在传播学观照下,视野开阔、论证清晰,具有较大学术价值的翻译研究成功教材。     

中国早期电影和话剧中的“家庭戏”

“家庭戏”是我国早期电影文艺片和话剧的重要组成部分。本文比较和分析了“家庭戏”在电影和戏剧中的不同趋向。在电影中,家庭戏呈现繁荣进步的景象,而在话剧中,家庭戏却逐步走向消亡。本文对于造成该情况的原因作了深入的探讨。     

电影和文学的中国式婚姻——当代电影改编的文化探寻

电影和文学是互生的关系,由于文学自身、政治倾向、大众情趣、时代需要等方面的因素,不同历史时期的电影改编表现出不同的范式和规律:建国后十七年,电影尽量地学习模仿文学;20世纪80年代,电影在自觉化的道路上借助文学这个拐杖,取长补短的同时又保有自己的独立;20世纪90年代以后,文学俯下身来迁就电影而进行创作。