从残存到复兴：长三角石锁运动探骊

基于文化大繁荣的背景和非物质文化遗产保护的关键时期,文章以＂复兴之路＂为脉络,以长三角石锁运动为对象,采用文献资料法、专家调查法等研究方法,分析在当前大环境下长三角石锁运动复兴面临的机遇和挑战,最终廓清应对困境解决方案。早期长三角地区石锁缘于人们生活水平低、部门重视不够、推广传播力度小、传承断层等因素的影响,导致普及度和影响力仍旧有限。协会形式的建立和邀请赛的逐渐成型为石锁复兴之路创造了新机遇;而传承断层危机、民族文化自觉的缺失、城市化进程加快等因素成为长三角地区复兴之路的新挑战。注重石锁表演根基、借助传媒宣传力度、搭建民间交流平台、与高校教学融合等策略将助推长三角地区石锁运动走向复兴之路。     

非物质文化遗产视角下健身气功发展研究

中华民族五千年的悠久历史创造了纷繁灿烂的文化,为人类的文明进步做了巨大的贡献,并且为世界人民所仰慕.气功养生学是我国传统文化百花园中的一朵奇葩,是中华民族传统文化之精华、强身健体之瑰宝.当下,健身气功是全新的社会历史条件下的产物,也是从中华民族悠久的五千年传统文化中走出来的产物,它是气功的一种,是传统气功的延伸和发展.因此,健身气功是中华民族传统体育中的一项宝贵非物质文化遗产,更是世界体育大家庭中不可缺少的一员.文章认为在非物质文化遗产保护的大背景下研究健身气功的发展具有重要的现实意义.     

集美龙舟赛的历史嬗变及对民间体育传承的启示

采用调查法和文献资料法,阐述了集美龙舟赛的缘起,深入剖析集美龙舟赛从民间体育活动向现代竞技体育商业化运作转型,从封闭的民间体育活动向开放的文化交流活动转型的演进历程。集美龙舟赛在不同时期承载着不同的文化内涵,对政治、经济和文化等方面有重要的价值。对我国民间体育的传承与发展有启示意义:以现代体育为依托是民间体育生存和延续的路径之一;对多元文化的包容是民间体育传承过程中的必然;资金、政策支持是民间体育传承的重要保障。     

我国传统体育文化遗产保护的博弈要素及策略选择

从博弈论的视角对传统体育文化遗产保护的利益格局、博弈构成要素进行分析,揭示了传统体育文化遗产保护的利益相关者、利益构成与分享途径,以及传统体育文化遗产保护的博弈性质、博弈主体、策略空间和预期效用等要素,根据博弈均衡机制提出了传统体育文化遗产保护工作中,作为保护主体的政府职能部门、遗产保有者和社会组织各自应采取的博弈优势策略。     

Historiography,Cultures of Remembrance and Tradition in German Sport

Erinnerungskultur (culture of remembrance) is a widely discussed notion in German historiography. First, the meaning of Erinnerungskultur, including the specific role of academic historiography of sport, is described and explained with respect to sport and sport historiography. One main objective is to reveal the diversity of cultures of sport history and the specific obligations of academic historiography. Second, the actors of sport memories and/or Traditionspflege (heritage) are characterised, and, third, some controversial and perennial debates that permeate German sports history are explained and interpreted, especially that of Carl Diem, internationally known as ‘Mister Olympics’ of 1936. All in all, the paper provides an overview of the mainstreams, cultures and politics of history in Germany with respect to sport.     

The history of the “Virgin with Child” sculpture (Ottaviano,Naples, southern Italy): Hypotheses from archaeometric multi-technique investigations

A life-size whitish marble statue of a “Virgin with Child” has been recently rediscovered in the St. Rosario church located in Ottaviano, a small town near Naples (southern Italy). This artwork shows stylistic features of the Tuscan-Roman school of the 16th century, and is framed in an intriguing historical context. Historical documents testify that the sculpture was a property of the cadet branch of noble Tuscan family of the Medici, the Medici of Ottaviano. A multianalytical approach has been used to try to indicate the supply area of the white marble of the studied sculpture. Considering the whole mineralogical, petrographic and geochemical data, the source rock can be possibly limited to the main classical white marbles of the Mediterranean district, as the classical marble of Aphrodisias. A reuse practice of a former artwork can be also hypothesized.     

Historical pigments characterisation by quantitative X-ray fluorescence

Most of the historical paints are mainly constituted by inorganic pigments, either pure or mixed, spread on the surfaces using different binding agents. The knowledge of the exact amount of different constituents of the paint, as well as of the mixing and pictorial techniques, is crucial for a careful program of conservation of polychrome works. Moreover, since the availability of these pigments has been changing through the centuries, their identification and chemical characterisation is useful to acquire or deepen information about the artist and his/her work. This information can also be useful for authentication purposes through relative dating because the identification of one pigment respect to another one can be used as a terminus post quem or ante quem the artwork was realized. In this work, X-ray fluorescence data from historical pigments, both pure and mixed, will be presented, in order to obtain quantitative information on the samples and to extract calibration curves to the aim of evaluating the pigment concentration in unknown mixtures.     

论保山施甸遗存滇西抗战宣传标语的保护

施甸遗存的滇西抗战宣传标语,是抗战文化的重要组成部分,是研究滇西抗战的重要实物资料之一。在目前全国尚无较多抗战标语遗存的情况下,尤为珍贵。对施甸遗存抗战宣传标语的产生、概况进行了阐述,对保存现状、存在问题、保护价值进行了分析,并提出相应的保护对策。     

我国体育非物质文化遗产的属性研究——以达斡尔、鄂温克、鄂伦春族为例

摘要：运用文献资料、实地考察、逻辑分析和比较分析等研究方法,对达斡尔、鄂温克、鄂伦春族体育非物质文化遗产的相关理论及其相互关系问题进行了探讨,重点论述了其特有属性和共有属性。主要结论：概念是对象本质的外在表现和反映;本质是对象本身固有的本质属性,也是区别于其它同类事物的一种决定性因素;属性是对象体内固有的、客观存在的性质特征状态,包括对象的性质以及对象之间的关系。属性又分为特有属性和共有属性,其中特有属性来源于对象的性质,并决定着对象的本质;达斡尔、鄂温克、鄂伦春族体育非物质文化遗产的特有属性,包括健身性和公平性;共有属性包括竞争性、审美性、娱乐性、民族性、地域性、传承性和变异性。研究目的在于厘清属性及与属性相关概念之间的关系,认清和重视我国体育非物质文化遗产的文化内涵及属性特点,避免和解决在实际保护中存在的问题,为我国体育非物质文化遗产得到有效的传承与发展提供参考。     

略谈中国画临摹教学之特点

临摹是学习中国画艺术的重要环节之一，是学习传统，借鉴前人的必要途径，是向前辈艺术大师，名家神会领教的唯一方式。只要通于此道，加之勤奋苦学，就能尽快走出临摹的初级阶段，最终形成自己的艺术风格。