Metafiction for beginners: Allan Ahlberg'sTen in a Bed

Margaret Mackey is studying for a master's degree in library and information studies at the University of Alberta in Canada. Previously, in Britain, she taught English language and literature in secondary schools for ten years. She has been secondary editor ofThe Essex Review of Children's Literature and has editedFestival Plays (Longman), a collection of young playwrights.     

Many spaces: Some limitations of single readings

Margaret Mackey is studying at the University of Alberta in Canada, pursuing a Ph.D. in Education. Her particular interest is the development of readers and the importance of the relationship between readers and texts. Previously, in Britain, she taught English in secondary schools and was secondary editor ofThe Essex Review of Children's Literature.     

Extreme Literacies and Contemporary Readers

Literate behaviours are changing with new technological and commercial reworkings of popular fictions. Today's young people are acquiring new skills and strategies to deal with the enormous onslaught of secondary texts associated with many major fictions. This article discusses such developments in the context of three stories: Harry Potter, The Lord of the Rings and The Simpsons. It investigates the potential for new approaches to literacy as displayed by particular young readers.     

Pirates and poachers: Fan fiction and the conventions of reading and writing

This article explores what teachers and students can learn about contemporary story‐telling from a study of fan fiction – that is, stories created by readers and viewers out of the canonical material of previously published fictions. Drawing on the example of Pirates of the Caribbean, it investigates ways in which fan fiction writers develop codes and conventions to govern themselves. For example, online litmus tests establish when a writer is self‐indulgently writing ‘Mary Sue’ characters into a story; the self‐styled Protectors of the Plot Continuum patrol the fictional limits of an imagined world to make sure that canonical information is not violated by fan fiction writers. This article makes use of such examples to investigate how quality control in fan fiction is codified, and to explore what teachers can learn from such enterprises about contemporary writing, reading and viewing. It compares these possibilities with issues of online literacy outlined by Henry Jenkins under three headings: the participation gap, the transparency problem, and the ethics challenge.     

Serial Monogamy: Extended Fictions and the Television Revolution

Changes in television technology have fostered changes in how we view fiction on television. This article explores some of these changes in the context of the teenage series, Felicity (WBTV, 1998–2002). It draws comparisons with the experience of reading series fiction in print, referring to the children’s print series, The Beverly Gray College Mystery Series (Burt, Grosset & Dunlap, 1934–1955). The article also looks at the impact of the Internet on series reading and viewing.     

Reading from the Feet Up: The Local Work of Literacy

Children learn to read at approximately the same stage in life as they start to master their physical environment. This article argues that some of the same mapping and schema-building strategies inform each activity, and draws on examples from a broad range of children’s books to support the idea that reading fiction and mapping one’s local surroundings work in tandem among many young children. Fictional examples include Ramona the Brave, The Moffats, and The House at Pooh Corner. As children grow, and their understanding of their own world increases, their relationship with fiction may become more complex; this proposal is discussed in relation to the works of Carolyn Keene and Enid Blyton.