Communicating Knowing Through Communities of Practice: Exploring Internal Communicative Processes and Differences Among CoPs

Knowing is an enacted, communicated process that is difficult to observe, let alone manage, in organizations. Communities of practice (CoPs) offer a productive solution for improving knowledge and knowledge management, but the communicative processes that enact CoPs have not been explored, leaving CoPs as an organizational black box. This research extends CoP theory as a means to determine the presence of a CoP and distinguish between various CoPs, and as a practical means to evaluate the communicative processes of organizational knowledge. CoPs enact the communicative nature of knowing through the elements of mutual engagement, negotiation of a joint enterprise, and shared repertoire. Specifically, two groups of volunteers are examined through a combination of participation, observation, and interviews in order to explore CoP theory as a dynamic system for examining and evaluating organizational knowledge.     

Demonstrating Library Impact Through Acknowledgment: An Examination of Acknowledgments in Theses and Dissertations

Academic libraries are increasingly seeking ways to demonstrate their impact on student learning. Acknowledgments - formal statements of indebtedness – in graduate theses and dissertations provide a rather unexplored area for demonstrating impact of the academic library on student learning. This study uses quantitative and qualitative methods to characterize acknowledgments of the Texas A&M University Libraries (TAMU Libraries) in theses and dissertations, both overall and for three disciplines specifically: civil engineering, geography, and history. This study also searched for mentions of the TAMU Libraries throughout the entire body of theses and dissertations. Overall, acknowledgments to the TAMU Libraries in theses and dissertations were less than 1%, though acknowledgments were found in all three disciplines with over a quarter of the history theses and dissertations containing an acknowledgment to libraries. There was no statistically significant difference found between the numbers of acknowledgments in theses versus dissertations. Acknowledgments to the TAMU Libraries were found in the theses and dissertations of 28 different departments. Mentions to the TAMU Libraries – not necessarily a formal acknowledgment – were found throughout the text of theses and dissertations with most concentrated in the acknowledgment, method, and bibliography sections.     

Supreme Court Review (1960–2009): A Bibliometrical Study

Supreme Court Review is a faculty-edited legal periodical published by the University of Chicago Law School. This periodical is a highly read and cited law review in law, history, and political science. This article applies bibliometrics to a study of the 438 articles that are published in the periodical over a 50-year period. It is analysis of the number of articles by volume, pages, footnotes, authorship by sex, by individual, by institution, and most-cited articles.     

Mnemonic-strategy reduction of prose-learning interference

One hundred and sixty college students read three fictitious biographical passages according to either imagery-mnemonic or no-strategy control instructions. In one mnemonic condition, subjects formed separate images involving each biographical name and its associated facts: in another mnemonic condition, the biographical name and its associated facts were integrated within a single composite image. Relative to an interference-control condition, integrated mnemonic subjects recalled more factual information, whereas separate mnemonic subjects did not. In addition, the recall of integrated mnemonic subjects was statistically no different from that of a noninterference control condition, whereas the recall of separate mnemonic subjects was lower. Both theoretical and educational implications of the results are discussed. The first author’s contribution to this work was supported by an Organized Research Grant from the Graduate School of Illinois State University. The second author’s contribution was supported by the National Institute of Education under Grant No. NIE-G-81-0009 to the Wisconsin Center for Education Research and was facilitated by a Romnes Faculty Fellowship from the Graduate School of the University of Wisconsin, Madison.     

Using computer generated images and text for the whole of an undergraduate course

Computer generated images are being used to provide text and diagrams for lectures. These images are then openly available to first year undergraduates in the Department of Mechanical Engineering and Manufacturing Systems at the University of Northumbria. A large lecture theatre is fitted with a computer-driven overhead projector and is used to display the files to over one hundred students. The image files and a text file commentary are provided, via automated routines on department computers, for students to copy onto their own discs.
The images are produced in a compressed and self displaying form, allowing all the material for the course to be contained on a single 1.4Mb floppy disc. All the material associated with these lectures is held on magnetic media.
This paper describes the method used, comments on some of the practical problems of using the method, and gives some of the student reaction to it.     

Mnemonic artwork-learning strategies: Helping students remember more than “Who painted what?”

In two experiments, a recently devised mnemonic strategy was examined in the context of college students recalling the theme and contents of various paintings. With the painting-artist mnemonic strategy: (a) the artist's name is first recoded as a more concrete proxy; and (b) the recoded stimulus is then related to a prominent feature of the painting. Previous research has demonstrated that such a strategy enhances students' recall of artist names when cued with the associated paintings. The present study extends those findings by demonstrating that the strategy similarly facilitates students' recall of paintings and painting information when cued with the associated artist names. Of three different mnemonic variations included, one that incorporates a verbally described mnemonic interaction into the painting proved most effective. Suggestions for future research and educational implications are included in the discussion.