Theorizing identity in transnational and diaspora cultures: A critical approach to acculturation

This paper examines the various ways in which the concept of “diaspora” has important implications for rethinking traditional notions of acculturation in Psychology. In this paper, we argue that the idea of a fixed, invariant, and apolitical notion of acculturation dominates much of Psychology, and as such it needs to be revised and reexamined in light of transnational migration and global movements. Drawing on our previous and current scholarship on acculturation and identity [Bhatia, S., & Ram, A. (2001). Rethinking “acculturation” in relation to diasporic cultures and postcolonial identities. Human Development, 44, 1–17; Bhatia, S., & Ram, A. (2004). Culture, hybridity and the dialogical self: Cases from the South-Asian diaspora. Mind, Culture, and Activity, 11(3), 224–241; Bhatia, S. (2007a). American Karma: Race, culture, and identity and the Indian diaspora. New York, NY: New York University Press; Bhatia, S. (2008). Rethinking culture and identity in psychology: Towards a transnational cultural psychology. Journal of Theoretical and Philosophical Psychology, 28, 301–322], we provide a counterargument to models of acculturation that claim that all immigrants undergo a universal psychological process of acculturation and adaptation. More specifically, we show how members from the Indian diaspora reexamined their acculturation status after the events of 9/11. We use interdisciplinary research to critically examine the role of race in the acculturation process. In addition, we provide a new analytical framework to understand the larger structural forces that shape the acculturation and assimilation process of transnational and diasporic migrants.     

The civic potential of Bollywood based dance flash mobs: on youth participation and digital networks

In this paper I argue that artists/activists in India use Bollywood dance and songs to choreograph flash mob performances with the aim of addressing issues of public importance because Bollywood is a common performative site that can be used to mobilize people. In order to understand how Bollywood based dance flash mobs have civic potential for activists-cum-performers, I conducted in-depth interviews with 20 flash mob choreographers in four cities of India. Based on my findings, I suggest that Bollywood based dance flash mobs are identified by the urban youth as inherently political and democratic in nature. These performances are often accompanied with the organizer-generated subgenre of flash mob videos recorded for the online audience. In archiving these performances, organizers also enable a virtual network of connections where individuals who share the same civic aspirations can come together and build solidarity around the cause.     

Convolutions

The article explains the importance of the convolution product of two sequences or two functions.