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INTRODUCTION Video streaming is becoming one of the major driving forces of next generation wireless networks. For the currently deployed cellular networks, the practical data rates are not enough to support full rate, high quality video applications. As a result, many research efforts have been devoted to adapting video content to reconcile the conflict between the high demand of video quality and the limited wireless communication resources among users. A large body of literature utiliz…  相似文献   
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Morphology of the deltoid muscles in elite tennis players   总被引:1,自引:0,他引:1  
The aim of this study was to examine the deltoid muscle properties of the dominant and non-dominant arm of Greek professional male tennis players. Eight male tennis players (mean age 22.0 years, s = 3.2) were subjected to biopsy of the deltoid muscle of both arms. Adenosine triphosphate (ATPase) histochemistry and myosin heavy chain (MHC) composition were performed on the samples with homogenate electrophoresis. No significant differences were observed in the percentage of types I, IIa, IIab, and IIb muscle fibres between the deltoid muscles of the two arms. Types I, IIa, and IIx muscle fibres of the dominant and non-dominant deltoid muscles did not differ significantly for MHC isoform composition. Type IIab muscle fibres showed a similar cross-sectional area (CSA) percentage distribution between the two arms. The CSA percentage for types I, IIa, and IIb muscle fibers did not differ significantly between the dominant and the non-dominant arm. We conclude therefore that regular tennis training probably does not lead to any significant changes in the muscle fibre types of the dominant and non-dominant arms of elite tennis players.  相似文献   
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This paper describes the use of a customized algorithm for the colorization of historical black and white photographs documenting earlier states of paintings. This study specifically focuses on Pablo Picasso's mid-century Mediterranean masterpiece La Joie de Vivre, 1946 (Musée Picasso, Antibes, France). The custom-designed algorithm allows computer-controlled spreading of color information on a digital image of black and white historical photographs to obtain accurate color renditions. Expert observation of the present state of the painting, coupled with stratigraphic information from cross sections allows the attribution of color information to selected pixels in the digitized images. The algorithm uses the localized color information and the grayscale intensities of the black and white historical photographs to formulate a set of equations for the missing color values of the remaining pixels. The computational resolution of such equations allows an accurate colorization that preserves brushwork and shading. This new method is proposed as a valuable alternative to the use of commercial software to apply flat areas of color, which is currently the most common practice for colorization efforts in the conservation community. Availability of such colorized images enhances the art-historical understanding of the works and might lead to better-informed treatment.  相似文献   
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