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Patrick Howarth 《海外英语》2011,(3):20-20
希尔顿,是个全世界知名的品牌,在全球80个国家内有着逾71000名雇员。让我们来一起看看这个商业神话是如何创立的吧! 相似文献
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Patrick Howarth 《海外英语》2011,(3):19-19
每天忙碌的工作和学习是不是让你有些力不从心?或许下面列举的度假胜地,我们暂时去不了。但先做一下初步了解,设立以后的目标总是个不错的选择。 相似文献
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This article, by a Government Minister, sets in context and describes the developing role of market forces in higher education. Four markets are considered: for students; for graduates, research and other services; for academic staff; and for public funds. Limited market forces already operate in all these areas. Policies such as the shift to fees and student loans are expanding and focusing their role, offering new opportunities to higher education's providers and users. The national benefits are a more efficient and responsive system and fairer sharing of its costs. 相似文献
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Lucy Howarth 《The International Journal of Art & Design Education》2014,33(2):258-271
In the wake of the recent demolition of the 1965 Chelsea School of Art building on Manresa Road in London, this article seeks to explore the relationship between art school architecture and art school pedagogy. Research on art school buildings, both national and international, and British art school education of the 1960s, is brought to bear, on the former ‘New School of Art in Chelsea’ building. In addition to an account of how this building came about, drawn from archival records and interviews with architects and former Chelsea students and staff, the correlation of utopianist values in post‐war British society, modernist architecture and higher education in art is examined. The reports of the National Advisory Council on Art Education (NACAE), which, in the 1960s, ushered in fundamental changes to British art education, are touched upon, and an account of the building design developed between art educationalists (including Chelsea Principal Lawrence Gowing and Chairman of the NACAE William Coldstream) and architects of the London County Council, is given. Photographs of the building, in the 1960s and during its demolition in 2010, are included. In addition to a historical account and case‐study, and despite the difficulties inherent, art school building is approached as an imaginative and socio‐political gesture, as a utopian act; ‘art school building’ in both senses (‘building’ as a verb and as a noun). 相似文献
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