武术与传统美学

武术作为中国古代流传下来的一项宝贵的文化遗产,它不仅具有运动特征,而且还具有美学特征。其在演练过程中所表现出的"韵"味以及"神和意",使人们不仅能品味醇厚的武术文化,而且能在刀光剑影中获得美的享受。     

Essentialism, adaptation and justice: Towards a new epistemology of museums

This article treats the prevalent confused mixture of utilitarian, art-and-knowledge-for-their-own-sake and ideological interpretations of the purpose of museums as a problem of epistemology, arguing that that key dimensions of museum knowledge (of objects, visitors, museums themselves, and of society) need to be integrated to achieve coherence. A new object-based, visitor-centred, storytelling epistemology is proposed. This would take an interdisciplinary approach and aim to unleash, rather than mute the real power of objects. It would address human destructiveness, as well as celebrating human creativity and the wonders of nature. It would respect the meaning-making practices of real, as opposed to idealized, imaginary visitors, and promote staff self-awareness in managing bureaucratic drift into introversion and avoidance of difficult issues. Incorporating a theory of justice, it would erode boundaries created by presentation traditions which, though marginal to object experiences, discriminate in favour of specific social groups—often groups with whom staff identify. Providing a museum service on a visibly fair basis is essential for museums to achieve intellectual coherence as well as societal support.     

A multi-criteria approach for the group assessment of an academic course: A case study

The present paper aims at proposing a structured methodology to evaluate the results of an academic training course addressed to postgraduate students. The evaluation process intends to identify the efficacy of an education course by means of a comparison between the general objectives and the results expected by the students. Since the evaluated aspects by the students, detected by means of questionnaires, are both quantitative and qualitative, the proposed methodology is based on the analytic hierarchy process (AHP). In order to facilitate the evaluation process, answers have been modelled by means of linguistic variables. In particular, different evaluation scales have been used and each one is characterized by different levels associated to different fuzzy numbers.     

艺术的情境之寓——文艺美学探微

情境者,情趣境界之谓也,主于美。它存在于艺术作品中,也存在于整个艺术审美活动中。艺术没有唯一的和绝对的摹本,也没有终级价值标准,有的便是一件件具体的作品和一次次具体的活动。一件作品就是一个独绝的情境,这情境是别人创造不出的,甚至创造者自己都是不能重复的。在此情境中,包括每一个细部,即使如绘画中的一处空白,音乐中的一个休止,小说中的一段铺垫,等等,便有着特别的意味,特别的美质。     

接受美学与文学翻译中的读者关照

译读是学翻译过程中一个能动的主体，读对译语本的阅读和接受是一种创造性的审美行为。由于读的审美行为具有鲜明的时代特征，因此不同时期的主流翻译方法和翻译策略会有所不同。译对译读语言和化审美特征的关照以及对译读情感需求的关注是影响学翻译活动成功的要素之一。     

情欲美学与明清小说

明清情欲美学是明清小说的思想基础,明清小学是情欲美学的审美体现。明清小说主题的批判性与悲剧感的深化,审美地表现了封建体制内在矛盾不可调和的激化。     

对高等数学作业系统的多元统计分析

按AHP法将高等数学作业系统分成3个层次,第二层包括:作业来源,作业形式、作业批改和作业反馈.第3层包括16个方案指标。从作业来源方面分析,大学生认为例题变通和书后习题是比较好的作业来源;就作业的布置形式而言,前置作业所占权重最大.从作业的完成形式来看,全部完成所占权重比分层完成所占权重大.在作业批改方式方面,教师全部批改权重远远高于教师部分批改、学生自我批改和学生互相批改方式.把16个方案指标进行聚类分析,形成一个由小到大的分类系统。聚类的结果可将最下层的16个方案归为3类:(1)书后例题、例题变通、教师全部批改;(2)历年考题、前置、全部完成、教师部分批改、学生自主订正;(3)随堂、课后、分层完成、学生自我批改、学生互相批改、抽查订正情况、重点课堂订正、师生当面交流。对照上述分类轨迹,可以归类得到大学生处理对待高等数学作业的3种不同态度类型:(1)依赖型;(2)刻苦钻研型;(3)交往型.     

德育审美化试说

所谓德育审美化,就是从美学角度,用美育方法来改革德育课,使政治思想、道德品质教育向美学、美育靠近,使德育向审美化方向发展。其依据是:德育本为真善美;美育应以德为魂;以美育德可使德育走出困境,开创新的局面。德育审美化,首先要对教材进行改革,编写出德育内容,美学形式的新教材;其次是对教学方式、方法进行改革,就是传播媒介的形象化,教学方法的艺术化。增强德育教学的审美性,使学生在欣赏美的过程中自然而然地受到美好道德的陶冶。     

论大学美学教材编写的新路径

在我国高校各类美学教材中,薛富兴教授撰写的《画桥流虹——大学美学多媒体教材》展示了美学概论教材写作的一种可行路径,从中可以总结出大学美学教材知识分层、体贴人类审美活动本来面目、美学作为知识学与智慧学相统一的三条基本写作经验,值得美学界予以重视。     

浅议运用层次分析法优化高职教育资源配置

针对强调技能培养的高职教育如何在实训教学和理论教学之间合理分配教学资源(如资金投入、课时等),以解决学生从业能力、持续发展能力和谐发展的问题,提出运用层次分析法客观评价实训教学和理论教学在学生综合素质提升中的相对权重,为教学资源的优化配置提供一定的依据。