西部大开发与西部农业结构调整

农业是我国西部经济中具有相对优势的主导产业。在西部大开发中,要实现农业的现代化和持续发展,就必须调整农业结构。     

加强实践教学改革 促进农业职业教育发展

农业高职教育的根本任务是培养生产第一线的高等技术应用性专门人才。要实现这一培养目标,必须加强实践教学,切实培养学生的职业技能,以促进职业教育改革发展。本文分析了实践教学的涵义、任务及当前高职实践教学的现状,提出了加强高职教育实践教学的对策。     

明代华南水利建设的区域特征

明代是华南水利事业发展的重要阶段，无论是广东、广西还是福建，都在水利建设方面取得了一定的成就。但由于自然条件和社会条件不尽相同，各地的水利建设仍然存在着某些差异。有些地方的水利建设以灌溉、防洪、排涝为主，有些地方则以航运为主；有些地方的水利建设比较发达，有些地方则较为落后。明代华南的水利建设对中国近代本地区水利事业的发展起到了奠基作用。     

三农问题的症结与对策

指出三农问题的症结在于农民增收困难,分析农民增收困难的原因,提出解决三农问题的途径.     

Museums and the shaping of contemporary artworks

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum.     

涉农高职院校现代农业创业教育的实践探索——以温州科技职业学院为例

温州科技职业学院紧扣现代农业创业人才培养目标,改革教育机制,构建"训、研、创、产"一体化的创业人才培养体系,实施以"导师—项目—团队"为核心的"师导生创、师创生学、师生企协创"的创业人才培养路径,成效显著。在总结温州科技职业学院创业教育经验的基础上,提出了培养现代农业创业人才的三点策略建议:充分利用农科专业特点,培养现代农业创业人才;科研创新与创业教育互相促进,构筑创业实践体系;乡村振兴战略与创业人才培养相互支撑,促进地方农业产业经济发展。     

Child protection workers dealing with child abuse: The contribution of personal,social and organizational resources to secondary traumatization

The present study compared secondary traumatization among child protection social workers versus social workers employed at social service departments. In addition, based on Conservation of Resources (COR) theory, the study examined the contribution of working in the field of child protection as well as the contribution of background variables, personal resources (mastery), and resources in the workers’ social and organizational environment (social support, effectiveness of supervision, and role stress) to secondary traumatization. The findings indicate that levels of mastery and years of work experience contributed negatively to secondary traumatization, whereas exposure to child maltreatment, trauma history, and role stress contributed positively to secondary traumatization. However, no significant contribution was found for social support and effectiveness of supervision. The study identifies factors that can prevent distress among professionals such as child protection workers, who are exposed to the trauma of child abuse victims. Recommendations are provided accordingly.     

To Unclog the Arcane with the Technical

No abstract available for this article.     

《诗经·七月》首章发微

<诗经·豳风·七月>首章中包含着一个周代春耕祈年的祭祀仪式,其中的"举趾"并非通常所认为的"举足下田",而是祭祀活动中的一种舞蹈行为;"田峻至喜"也并非田官高兴或享用酒饭,而是田祖的神尸来享受祭品.     

The potential role of citizen conservation in re-shaping approaches to murals in an urban context

Public visual spaces, populated by a blend of community murals, unauthorised street art, and historic painted mercantile signs, are often the mark of an urban environment that is both progressive and eclectic. Changes in the aesthetic and cultural value of these urban mural forms have led to an increase in the appreciation and, in some instances, promotion of their artistic merit and cultural significance as examples of public art. However, examining the significance of these works, with a view to implementing a conservation approach is problematic. This is due to a number of practical and theoretical considerations that are primarily a result of the ephemeral existence of urban murals outside conventional exhibition spaces, and issues associated with their often fragmented ownership and uncertain authorship. Consequently, larger thinking on the interpretation, conservation assessment, and advocacy for the conservation of urban murals are required. Key to defining and implementing such strategies is contextualising the public visual spaces that these murals occupy and, as part of this, the local and wider communities’ perception of these murals as culturally significant objects as well as fostering awareness and understanding of appropriate measures aimed at their conservation. This paper examines the role of citizen science, or crowd-sourcing, of local community members in establishing a conservation dialogue and generating conservation- relevant data on urban murals. It looks specifically at a project involving a collection of in situ historic painted mercantile signs — also known as ghost signs — in the City of Port Phillip, Melbourne, Australia. The project fostered the establishment of an informed and open dialogue between conservation specialists and participants from the local community on the significance of local ghost signs whilst transferring knowledge on conservation processes and assessment methods. Working directly with community members, a programme was designed in which conservation and community knowledge of these urban art forms, could be collected and exchanged across digital platforms. This enabled researchers to examine how citizen science can be utilised as a research tool as well as a means to advocate for the conservation of collections of urban murals. It created the opportunity to consider the role of non-specialists and shared authorities in the collection and collation of conservation- relevant data and how information generated from what we call citizen conservation projects, can inform the way in which conservators evaluate and prioritize the conservation of urban cultural heritage. The data gathered and interpreted proved to be the most effective means of ‘conserving’ these often ephemeral forms of cultural material.