“作者的死亡”：一个值得认真思考和探究的论题

20世纪文评理论总的倾向是不把写作主体“作者”作为关注的重点，或是把作者排斥于文评之外。布朗肖、巴尔特、福柯、德里达等文评家和哲学家宣告“作者死亡”的观点趋于一致，但说法及内涵不尽相同，容易引起误解。本文试图对以上四大论家的观点略作评介，指出“作者死亡”观既是反文学传统又是富有开创精神的先锋观点，值得我们认真思考和探究。     

The Phenomenology of Space in Writing Online

In this paper we explore the phenomenon of writing online. We ask, 'Is writing by means of online technologies affected in a manner that differs significantly from the older technologies of pen on paper, typewriter, or even the word processor in an off-line environment?' In writing online, the author is engaged in a spatial complexity of physical, temporal, imaginal, and virtual experience: the writing space, the space of the text, cyber space, etc. At times, these may provide a conduit to a writerly understanding of human phenomena. We propose that an examination of the phenomenological features of online writing may contribute to a more pedagogically sensitive understanding of the experiences of online seminars, teaching and learning.     

E.M.福斯特小说《莫瑞斯》同性恋身份认同过程解读

<莫瑞斯>是一部探讨社会价值与爱情冲突的经典作品.文章着重探讨男主人公莫瑞斯对自身同性恋身份的接受和认同过程,以及在追求个性解放的过程中所获得的精神上成熟,揭示了作者反对理性、道德对人性的干预,主张回归人的自然本性的性伦理道德倾向以及对情与性的和谐生活的追求.     

完整理解马恩关于维也纳会议正统主义的论述

国内史学界普遍认为正统主义原则是维也纳会议奉行的重要原则之一。并使得许多旧王朝复辟，保护了各国君主制，并引用了恩格斯的话为证明这一结论。但当时欧洲30个国家与地区的政权与领土的演变事实与此大相径庭，而且，马克思和恩格斯对正统主义的评价在过去并未被给予完整的解读和介绍。因此，对历史和以革命导师的真知灼见的误视造成了长期以来对正统主义的功用的认识偏颇。     

华文文学长廊中的"黄金人"—评熊国华的《美国梦:美籍华人黄运基传奇》

熊国华的《美国梦：美籍华人黄运基传奇》是一部情并茂、史论双佳的人物传记。作在200多年美国华侨移民史和中美关系史的宏大背景下，生动地叙述了爱国华侨黄运基半个多世纪以来追寻“美国梦”的生命历程，第一次在世界华学长廊中塑造了一个身兼东西方化之长、具有多种美好品德的“黄金人”形象。     

Tess:a Phenomenal Body

Few people read Tess from Maurice Merleau-Ponty’s"body theory".In Phenomenology of Perception,Merleau-Ponty states that it is body as the subject that perceives the world;such body is a phenomenal body in contrast to an objective body.Tess’s"being in the world"through the body connotates a new way of looking at the classic Tess.Tess’s way of perceiving and understanding the world also enlightens us about relationship between human and self,human and other,human and society,human and nature.     

Jan Bengtsson (1949–2013): A Phenomenological Scholar of Our Time

In this paper we explore the phenomenon of writing online. We ask, ‘Is writing by means of online technologies affected in a manner that differs significantly from the older technologies of pen on paper, typewriter, or even the word processor in an off‐line environment?’ In writing online, the author is engaged in a spatial complexity of physical, temporal, imaginal, and virtual experience: the writing space, the space of the text, cyber space, etc. At times, these may provide a conduit to a writerly understanding of human phenomena. We propose that an examination of the phenomenological features of online writing may contribute to a more pedagogically sensitive understanding of the experiences of online seminars, teaching and learning.     

不幸之事——《莫里斯·格斯特》和《毒瘾难戒》引发的思考

身处不同时代两位女作家的作品《莫里斯·格斯特》和《毒瘾难戒》反映了同一个主题：无法实现之爱。本文作者正是抓住这一相同点，从作品的结构、情节、人物性格入手，探析两部作品的作者各自对所处时代的变迁持有的态度，从中发现她们的社会道德观——一个是理性、谨慎，一个是感性、奔放。通过对作品深层解读，以帮助读者更好地欣赏这两部巨作。     

Body · Experience · Imagination: The Collective Memory of Chinese Martial Arts

Abstract

In order to understand Chinese martial arts (CMA), people had better find out how native Chinese people picture these ancient arts. Maurice Halbwachs’s theory on collective memory is helpful to cognize the panorama of CMA. In the term of social framework, the contributors of the collective memory of CMA are mainly well-experienced inheritors, shallow-experienced mass practitioners and highly educated intellectuals. They respectively perceive martial arts more or less through bodily practicing, imagination, or fantasy. Among these three contributing groups, inheritors seemingly observe martial arts from the top of the mountain, ordinary practitioners at the foot of the mountain, while intellectuals overlook from the clouds. Inheritors, with professional skills, establish the technique systems of martial arts; mass practitioners, from non-professional perspective, test and verify the various functions, and intellectuals, from transdisciplinary perspective, enrich the connotation and extension of the martial arts. The shared concrete approaches they draw upon to shape such a collective memory are repetitive corporeal experiencing, mental experiencing, and active imagination. Eventually, they build the spectrum of CMA memory which is primarily filled with unique technique paradigms and chivalric spirits. In this way, CMA or Wushu, as an indigenous sport, is provided for consumers in the world.     

整合语言技能教学与作者专题研究 --以莫立思·森戴克专题研究为例

本文论证了作者专题研究运用于我国英语专业低年级语言技能综合训练课的可行性和有效性,认为图画故事尤其能满足这类学生的实际需要.然后,文章以莫立思·森戴克为例,讨论了作者专题研究方案的设计.讨论不仅涉及体裁、作者和作品的选择,还涉及活动内容、具体目标和日程安排等.