川端康成小说的空间艺术

川端康成的小说就人物而言，群体上形成的空间较小，而侧重于对人物个体“内宇宙”的考察；在背景场景描写上，不追求宏大的社会政治叙事，善于把人物糅和在自然环境之中，充分展示生活在这种环境并与之交融起来的人物美，呈现的是局部性空间特征。川端康成小说的空间艺术特点与其本人的人生际遇、美学追求以及日本的化美学传统密切相关。     

论吴宓留学前的文化经历与其文化取向的关系

吴宓家族与近世三原大儒刘古愚关系密切。在清华求学近6年，吴宓与汤用彤、吴芳吉成为志同道合的好友，而且饶麓樵、J．Pickett等老师对他的诗歌赏鉴观和文化价值观倾向都有一定影响。同时，对儒家原典的熟读精思和对卡莱尔、爱默生、华兹华斯等人著述的阅读，也为他文化保守主义价值观的形成埋下了伏笔。分析吴宓当时的言论可知，是赴关留学以前的本土微观文化环境和经历促使吴宓主动选择了拜白壁德为师，并进而成为著名的文化保守主义者。     

麋芳、士仁如何被“阴诱”——兼与方诗铭先生商榷

在关羽与曹操决战荆襄的关键时刻,孙权的部属虞翻"阴诱"了芳、仁,说辞是"为陈成败",示其大势已去。潘濬刚直耿介,在荆州失守、关羽殒命后,无可奈何之际才归服孙权。     

词序：山水小品在宋代文学中的归宿

山水是中国文学的传统题材之一,但在宋代正统散文中却不易找到以此为题材的作品。然而宋代词序中却有不少可以山水小品视之,成为山水小品这种源远流长的文学形式在宋代文学中的归宿之一。之所以如此,与词序是一种非独立的文体不无关系,通过分析以姜夔与周密为代表的山水词序便可得以印证。     

遵式《天台教观目录》的编撰特色及缘起

遵式为天台高僧,是宋初天台宗"山家派"的代表人物,精于忏法的制定与推广,被誉为"慈云忏主""慈云尊者"。同时,遵式亦致力于天台教籍的整理、编目,撰有《天台教随函目录》《天台教观目录》两部佛籍目录。其中,《天台教观目录》在著录对象、分类、序言及注语方面富有特色,为宋初天台宗发展奠定了良好的典籍与教观理论基础,是遵式弘法传教的重要工具。     

禅诗审美境界论

禅宗诗歌表达独特的禅悟体验，其审美境界的范型是一切现成现量境、水月相忘如如境、珠光交映圆融境、任运随缘日用境。现量境羚羊挂角，无迹可求；如如境能所双亡，色相俱泯；圆融境珠光交映，重重无尽；日用境饥餐困眠，脱落身心。体证禅诗审美境界，对建构21世纪中国禅诗研究学、整合传统诗学的境界论有着重要的现实意义。     

阴山荠属的校订

The genus Yinshania was established by Ma Yu-chuan and Zhao Yi-zhi in 1979, when only one species, Y. albiflora Ma et Y. Z. Zhao, was discribed from Nei Monggol.  In the present paper the genus Yinshania is revised and four new species, two new varieties and four new combinetions are reported.  There are so far eight species and two varieties in total in this genus.      Important morphological characters of the genus are analysed, which shows that the lateral nectariferous glands positioned at lateral base of the brevistamens are triangularovoid; there are dense minute pustules on the surface of valves, which is easily neglected because the pustules disap- pear or shrinked when dry; simple or furcate hairs are present in the most species, seldom absent; the shape of pollen grains is relatively steady, elliptic or long-elliptic, with the polar view trifid- circular, the equatorial view elliptic or long elliptic, the aperture 3-colpate, exine reticular.      The type of genus Yinshania is changed.  Cochlearia acutangula O. E. Schulz was published in 1929, but Y. albiflora Ma et Y. Z. Zhao in 1979.  They are the same species and a new com- binetion, Y. acutangula (O. E. Schulz) Y. H. Zhang, is made. Thus, the type of genus Yin- shania should be changed to Y. acutangula (O. E. Schulz) Y. H. Zhang.      Besides, He Ye-qi 6121 (paratype, PE), which is different from Y. acutangula var. albif- lora, is separated from it and transferred the typical variety, Y. acutangula.      According to the characters of fruit shape the genus Yinshania is divided into two sections, namely, Sect.  Microcarpa and Sect. Yinshania, and then Sect. Yinshania is subdivided into two series.      Sect. 1. Microcarpa. Silicles widely ovoid or subglobose, 1-2.2 mm long, 0.8-2.2 mm wide, the ratio of length and width about 1.1.      Sect. 2. Yinshania. Silicles oblong, oblong-ovoid or long-lanceolate, ellipsoidal, 1.5-4.5 mm long, 0.3-1.5 mm wide, the ratio of length and width about 2.5-3.3.      Ser. 1. Henryanae. Raches flexuose; plants densely  hairy; leaves  3-5-foliolate,  seldom pinnatipartite or pinnatisect.      Ser. 2. Yinshania. Raches non flexuose; plants sparsely hairy; leaves pinnatisect or pinna- tipartite.      The genus Yinshania is a genus endemic to China, with their range from eastern Xizang to western Hubei from northern Guizhou to central Nei Monggol.  The taxa are mostly of a small area.  Sect. Microcarpa is concentrated in Sichuan and southern Gansu;  Sect.  Yinshania is spread from Xizang and Sichuan, nouthwards to Gansu, Ningxia, Shanxi, Hebei and Nei Mong- gol (Ser. Yinshania); and from Sichuan south-eastwards to Guizhou and Hebei (Ser. Henrya- nae).  There are five species in Sichuan.  The present paper conjectures that the distribution centre of the genus is in the Hengduan Mountains and its adjacent areas.     

论武则天与华严宗

佛教对于中国而言本属外来文化,自两汉交际传入以来经过漫长的岁月,时至唐朝已经与中国传统文化融会贯通,成为不可分割的一部分。隋唐佛学不仅仅是佛教文化的一个巅峰,也是中国思想史上不可忽视的重要环节。唐代大多数的帝王都对佛教采取了扶持利用的态度,而武则天的崇佛则最为明显。身为中国历史上唯一一位女皇,武则天不仅大力发扬佛教,还将佛教与自身政权紧密地结合起来,用佛教经典为自己的统治增添合理性依据。华严宗的创始人法藏就是在武则天的一手扶持之下,建立起了华严宗这一重要宗派。     

“石发”与文学创作之关系———以皇甫谧、王羲之父子为例

“石发”是五石散中毒引起的一系列药源性疾病,它和文学创作有着密切的联系：患病作家们的文学作品中有大量“石发”情形的描写,这种创作行为丰富了疾病文学的题材,拓展了文学表现世俗生活的疆域;“石发”深刻影响了患病作家的人生观、价值观,这种影响在他们的文学作品中表现为略带病态的审美心理、沉郁哀伤的感情基调和疏离政治、养生全身的思想旨趣。     

清风美雨——词人周密南宋时期心态、词风、词之功用考

周密南宋时期对清美韵度有着审美偏嗜,斯时词作清风美雨扑面,作品呈露出词人南宋时期萧散幽远的清妙人生.词在南宋时期周密人生中起着清玩的作用,与其它人文景观和自然景观一道建构起词人清美武的审美人生.词人欲在审美境界中实现生命的超越之姿,消解"士无以仕"的儒者之痛.