古典式摔跤跪撑技术的趋向

对 2 0 0 0年全国古典式摔跤锦标赛跪撑技术进行统计 ,分析古典式摔跤跪撑技术的发展趋向 ,结果显示 :使用跪撑技术成功与否是获得古典式摔跤比赛胜利的关键 ,而在跪撑技术的使用中又侧重于滚桥和提抱这两种跪撑技术动作。     

民国时期社会风俗现代转型的二重性特征

民国时期新旧递嬗、方生方死的持续过渡型社会形态,铸就了此期风俗文化现代转型鲜明的二重性特征:在中西新旧风俗文化的相互关系上,新旧纷陈的杂糅性、过渡性与中西会通、迎新纳异的兼容性、开放性并存;在移风易俗的力度、广度上,较前而言的深入性、广泛性与此期仍甚显著的迟滞性、不平衡性并存;在风俗变迁的社会效应上,推动社会文化发展的进步性与尚奢、崇洋之风日益滋长的负面性兼而有之。     

Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music Contest

The Queen Elisabeth Contest is one of the most prestigious competitions in classical music. For both the artists who participate and for the public, it is important that the ranking of the finalists be affected as little as possible by exogenous factors relating to the organisation of the competition. Still, it is impossible to control for all contingencies. Thus, the ranking can be expected to deviate from that obtained in a hypothetical full-information assessment process. As such, the ranking may be unfair to the candidates and inefficient in providing information to the consumer. Deviations from the full-information ideal may result from self-selection of candidates, from positive information at the margin, and from differences in circumstances. Analysing data on all piano and violin versions of the Contest over the period 1956–1999, we find strong evidence of biases in the rankingprocess. Confirming previous research, we find that musicians who perform later in the final week or later on a given day in this week (on average) obtain a better classification. Further, in the piano competitions women obtain lower rankings and, prior to 1990, finalists from the Soviet Union obtained higherrankings than average. The jury appreciates innovation in the sense that musicians who perform a more recently composed concerto obtain a higher rank. Finally – especiallyfor violin – the candidate's decision to perform a popular concerto leadsto a lower ranking.     

大学生经典名著阅读与网络阅读透视

结合"当代大学生阅读行为"调查这一研究课题,在对调查问卷进行统计分析的基础之上,探讨了网络时代大学生经典名著阅读与网络阅读的特征、成因,并提出了相应的对策.     

试论中国古典音乐的崇高美——以《十面埋伏》为例

艺术作品的崇高美,是指艺术作品本身蕴含着庄严伟大的思想,强烈激动的情感、雄奇远大的意象、激越高昂的格调、慷慨激昂的旋律、跳跃夸张的结构、恢宏阔大的场面、饱满奔放的语言。中国古典音乐中崇高美质的最大作用是振奋人们的精神。     

浅谈古代文学教学的当代意义

中国古代文学教学作为人文教育的重要学科之一,其教学对大学生的社会责任感、审美精神、健全的人格塑造都具有重要的当代意义。     

从日常生活世界的凸显到人的发现--现代性教化启蒙的历史回眸

威权性的道德教化是中国传统道德教化的基本特征,个体生命被遮蔽在神圣的“(天)理”之中,“人”被遮蔽于“民”的身份之中,纲常名因之而成为“吃人”的教化。从明末清初早期启蒙教化思想的出现,到“五四”新文化运动,中国现代性教化的艰难启蒙一步步走向深入,在发现了“吃人”的礼教的同时,也发现了“人”。     

城市“异乡人”的现代性认同与传统回归

生于20世纪50年代的“农裔”作家是以“异乡人”姿态面对城市的，他们一度因认同启蒙现代性而挣扎进城，并渴望被城市现代性同化；但在逐渐感受现代性之后，又猛然惊醒于归属传统文化的自我身份正在丧失，寻求传统的归乡行为由此开始。     

略论高中文言文教学

从五个方面 ,即语言环境、词汇、语法、古文化常识、阅读量等方面谈了如何搞好高中文言教学     

弗莱整体性文化批评蠡测

弗莱处于诸多文化因素构成的文化"场"中,这促使他成为了文化批评家。弗莱批评理论与荣格理论、西方马克思主义、新历史主义、新批评、结构主义同中有异,有着独特的整体性文化批评倾向。弗莱批评理论兼具现代性与后现代性的双重性质。