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Vasilis Grammatikopoulos Athanasios Gregoriadis Michalis Linardakis 《Educational Measurement》2019,38(3):46-54
Self‐reported measures are an easy, time‐efficient, and low‐cost way to collect research data compared to other assessment methods. They are, however, characterized by several limitations regarding the quality and the clarity of the data they produce, especially when they are implemented in education. The main purpose of the current study was to use a method called discrete choice modeling (DCM) in education, in order to develop a self‐reported instrument that will reduce the bias for socially desirable responses and to assess teachers’ practices in physical activity. DCM method has the ability to overcome the respondents’ tendency to answer in a socially desirable way. A nationally representative sample of 531 Greek early educators participated in this study and were administered a self‐assessment questionnaire based on DCM. Results showed that the DCM based newly developed instrument manages to assess effectively educators’ practices and provided evidence of the applicability of the method in education. Further implications and future recommendations regarding the effective application of DCM in education are discussed. 相似文献
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Digital Module 05: Diagnostic Measurement—The G‐DINA Framework https://ncme.elevate.commpartners.com
In this ITEMS module, we introduce the generalized deterministic inputs, noisy “and” gate (G‐DINA) model, which is a general framework for specifying, estimating, and evaluating a wide variety of cognitive diagnosis models. The module contains a nontechnical introduction to diagnostic measurement, an introductory overview of the G‐DINA model, as well as common special cases, and a review of model‐data fit evaluation practices within this framework. We use the flexible GDINA R package, which is available for free within the R environment and provides a user‐friendly graphical interface in addition to the code‐driven layer. The digital module also contains videos of worked examples, solutions to data activity questions, curated resources, a glossary, and quizzes with diagnostic feedback. 相似文献
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在IBM—PC/XT286及其兼容机上,在UCDOS 支持下,以汉字DBASE-Ⅲ语言编写而成。主要包括:使用信息、运动员成绩计算及打印、运动员成绩查询与打印。测试运动员年龄段为13~17岁。测试项目为短跑、中长跑、竞走、跨栏、跳高、跳远、三级跳远(男)、撑竿跳高(男)、铅球、标枪、铁饼、链球(男)。软件的研制成功,大大提高了田径教学训练大纲综合评定的运算速度,避免了人工计算时可能出现的错误,是大纲测试有力助手。 相似文献
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杨艳红 《河北体育学院学报》2002,16(2):80-81
从文献资源的配置、信息服务模式和内容、读者教育以及为科研服务四个方面分析了我院图书馆如何更好地适应信息技术发展带来的信息环境和信息用户需求的变化 ,提供高层次高水平的信息服务。 相似文献
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主动学习、探究知识是工程教育需要培养的关键能力,其培养方法和效果评估一直是工程教育界研究和关注的重点。本文结合汕头大学CDIO和OBE工程教学实践,提出一种融合发现式教学和接受式教学于一体的层次化教学方法,通过合理分组,翻转课堂,课堂监控、评价与反思,构建类Cache→Memory→Peripheral memory结构化存储的教学系统,实现工程教学与思维能力整合的协同。论文通过分析专业引导性较强的"工程设计导论"、理论性较强的"电工学"、应用性较强的"微机原理"等课程的教学过程数据,证明了该方法有助于加强并改善师生联系,调动学生学习的积极性和主动性,最终达到改善学习效果的目的。 相似文献
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Expanding opportunities to learn to support inclusive education through drama‐enhanced literacy practices
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Sultan Kilinc Kathleen Farrand Kathryn Chapman Michael Kelley Jenny Millinger Korbi Adams 《British Journal of Special Education》2017,44(4):431-447
This study examines how the Early Years Educators at Play (EYEPlay) professional development (PD) programme supported inclusive learning settings for all children, including English language learners and students with disabilities. The EYEPlay PD model is a year‐long programme that integrates drama strategies into literacy practices within real‐classroom contexts. Inclusive education refers to ensuring equal opportunities to access and participation in learning activities for all students. Cultural‐historical activity theory was used to understand and unpack the drama practices. Twelve semi‐structured focus group interviews were conducted with 19 preschool teachers. The data were analysed via constant‐comparative and interpretive methods. The study findings showed that EYEPlay PD practices enhanced inclusive learning settings for diverse groups of students by increasing access and expanding opportunities to learn, and supporting a positive learning environment. 相似文献
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Nicholas Houghton 《The International Journal of Art & Design Education》2016,35(1):107-120
This article reports historical research which sought to understand the present‐day post‐secondary art curriculum through analysing its history in terms of changes in conceptions of art. It found that there have been six distinctive curricula: Apprentice, Academic, Formalist, Expressive, Conceptual and Professional. As a new curriculum has been introduced, it has co‐existed with much contained in a previous one. Most of the curriculum changes have taken place in the past 65 years. During this time, there has been a massive expansion in the education of artists and at the same time art schools accommodated first modernism and then post‐Duchampian aesthetics. A conclusion is that this has made for a very crowded curriculum. Moreover, despite there being an ever increasing choice of things a student might learn, it appears that there is nothing which all students have to learn. It can be problematic that one part of the curriculum is in contradiction to another part, and moreover this lack of a core raises fundamental, ontological questions about what art as a discipline is. 相似文献