Data Visualization as Participatory Research: A Model for Digital Collections to Inspire User-Driven Research

The emerging creative practices of digital collections are increasing in prominence thanks to the access to, and appeal of, data visualizations. Interactive data visualizations, such as a map, timeline, chart, graph, or artist’s rendering of data, enable users to pursue their own research interests within a collection and participate in new areas of research. Use of these data visualizations enhances the scope of the collection and enables a modern and diverse thematic collection to emerge. This article considers the question: Does the addition of data visualizations affect how users participate with a research collection? Impacts on collection development, application of user-centered design, and analysis of users’ exploratory strategies are discussed. Examples of data visualizations used in digital humanities projects and digital collections are presented as case studies.     

沙地力学传递特性的实验研究及沙滩排球扣球起跳的动力学特征

采用跳深的方法对约 40 cm深沙地的力学传递特性进行实验研究 ,并引入“黑箱”理论进行动力学与动力学数据的对比分析以获得沙地力学传递函数 :力传递函数为 Fd=0 .39Fu1 .1 6 ,冲量传递函数为 Id=0 .88Iu;在此基础上 ,采用录像系统与三维测力台系统实现对沙滩排球扣球起跳阶段的运动学与动力学数据的同步采集 ,揭示其主要动力学特征为沙滩排球扣球起跳的恢复系数小以及其形成的三方面原因 ,以图为沙滩排球的科学化训练提供可靠的理论依据。     

近20年来我国技巧运动发展的动态分析

采用文献资料法、逻辑分析法、归纳演绎及分析综合等方法，对近20年来我国技巧运动重大国际比赛中所处的地位，特别是近几年的发展作了较为详尽的分析，指出了当前世界技巧运动发展的趋势：即以国际技巧规则为导向创新为动力，注重艺术性和成功率。旨在为我国技巧运动的发展提供一线思路。     

"多层感官动静结合讲解法"在武术普修课中的实施——将被动的"鸭"变成主动的"人"

教学方法的改革是提高教学质量的重要途径。章以当前教学改革的新目标及现代教学理论的新要求为依据，结合武术自身特点的优势，在教学过程中，提出并实施“多层感官动静结合讲解法”。该法不仅能充分调动学生的积极性和主动性，激发学生的学习兴趣，把学生由过去在课堂上被动的被“填”的“鸭子”变成有思考能力的、有主观能动性的人，同时，极大地提高了学生的专业技能及逻辑思维能力。     

优秀运动员齐海峰竞技成绩的灰色关联分析及其模式训练研究

运用文献资料法和数理统计分析方法，对我国优秀男子十项全能运动齐海峰近几年的比赛成绩进行了综合分析，找出了影响其专项成绩的主要因素，并在此基础上，运用CM（1，N）动态协调模型对其在总成绩不断提高的过程中，系统处于不稳定和非协调发展局势，进行了多方位，多层次的研究，旨在对其成绩的提高起到借鉴作用。     

知识管理在提升企业自主创新能力中的作用

从知识角度对自主创新的内涵进行界定,阐述了自主创新和知识管理的关系,探讨知识管理个要素对企业自主创新能力的影响。以知识管理为核心,采用系统动力学仿真软件VENSIM构建企业自主创新的系统动力学模型,比较不同知识管理因素对自主创新能力提升的效果,并提出相应的政策建议。     

The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES*

This article presents the concept of electronic record as articulated by the first phase of the InterPARES (International research on Permanent Authentic Records in Electronic Systems) Project (1999–2001) and discusses it in light of the findings of the second phase of the Project (2002–2006). While InterPARES 1 focused on records produced and/or maintained in databases and document management systems, InterPARES 2 examined records produced and/or maintained in interactive, experiential and dynamic environments. The authors describe the characteristics of these environments and of the entities found in them in the course of case studies conducted on systems used for carrying out artistic, scientific and e-government activities, and propose the new concept of record that InterPARES 2 is eleborating, which expands on that formulated by InterPARES 1.The authors would like to thank InterPARES 2 research assistant Randy Preston for his careful editing and constructive criticisms. Some of his suggestions have been incorporated in the text of this article.     

国际学科教学知识的文献计量研究

学科教学知识(PCK)自舒尔曼1986年提出以来,受到了广泛关注。通过在Web of Science核心合集中对"PCK"进行文献计量研究,辅以CiteSpace进行关键词共现等分析,可以从整体上了解国际PCK的研究现状、研究热点与研究前沿问题。通过分析发现,在研究方法上,文献计量方法的综合使用有利于形成科学而准确的结论;在研究内容上,国际PCK的研究热点与研究前沿特征词较相似,体现了创新研究的不足。     

基于主题图的非物质文化遗产数字资源整合实证分析

[目的/意义]非物质文化遗产资源具有重要的社会价值,将主题图技术应用于非物质文化遗产数字资源的整合中,能够更好地实现非物质文化遗产数字资源的传承与保护。[方法/过程]在分析非物质文化遗产数字资源的主题、关联关系和资源标引的基础上,构建非物质文化遗产数字资源主题图并实现其可视化。[结果/结论]研究结果显示,主题图技术的应用可以为非物质文化遗产数字资源提供基于语义的整合,并将主题之间的关联直观地展示给用户,为用户提供可视化导航。     

The powerful image and the imagination of power: the ‘new visual turn’ of the CPC’s propaganda strategy since its 18th National Congress in 2012

This paper adopts the academic tool of discourse analysis to examine the ‘new visual turn’ of the Communist Party of China’s propaganda work since the 18th CPC National Congress when Xi Jinping was inaugurated as the leader of Chinese Communists. A thorough review of the new visual means the Party uses for photojournalism, TV news, animated cartoons and online promotional videos points to three developments markedly different from traditional discursive strategies: a full embrace of Confucian ethics, articulation of the Internet-based popular culture and subcultures, and an effort to fortify Xi’s personal authority as a political idol. The paper concludes that the ‘new visual turn’ of CPC propaganda after the 18th Party Congress suggests that the Communist discourse has evolved to a new stage where sophisticated manipulation of sleek technological tools substantiates a rigorous, dynamic CPC discursive system more at ease with itself and more powerful than ever in shaping the mainstream political culture in China.