19世纪以来的英国同性恋文学书写述评

虽然英国的同性恋书写述评最早可以追溯到英国诗歌之父杰弗雷·乔叟时期,但是直到19世纪才开始逐渐凸显出来,到了20世纪,由于诸多文学大家介入,英国同性恋文学的书写述评开始蓬勃发展,而且同性恋理论也得以建构。然而,由于历史原因和异性恋霸权话语的抑制,同性恋文学在英国一直处于边缘地住并呈现出多元化的现象,但是同性恋文学拓展了英国文学的主流,开始渐渐融入文学的主流。     

The importance of being a ‘lady’: hyper‐femininity and heterosexuality in the private,single‐sex primary school

Drawing on recent ethnographic research in one single‐sex, private primary school, this paper will explore what it meant for the girls in this setting to embody the discourse of the ‘lady’. The paper will propose that classed and gendered discourses of respectability featured strongly in the girls’ lives, as they were expected to behave like ‘proper’ upper‐middle‐class ladies. However, the paper will also suggest that these discourses were being reworked through post‐feminist, neo‐liberal notions of modern girlhood, meaning that the girls also felt compelled to make themselves as heterofeminine ‘girly’ girls; as sassy, sexy and successful, as well as respectable and upper‐middle‐class(y) enough. By exploring the clash between these two sets of discourse, the paper will specifically seek to examine the lived embodiment of intersections of class, gender and sexuality and to explore the relevance of Judith Butler’s heterosexual matrix for these upper‐middle‐class girls.     

Rethinking social movements through retranslating the economy

Abstract

This paper not only gives an overview of the transgender word in contemporary Japan but also attempts to illustrate the male to female cross‐dressing (MTFCD) community in Shinjuku, Tokyo, which plays an important role in the overall transgender world and how people in the community think and live, by conducting comprehensive fieldwork. The MTFCD community consists of amateur cross‐dressers and their patrons, and it is formed around about ten bars/clubs in Shinjuku. This community differentiates itself from the gay community in their customs and consciousness; they tend to recognize gender based on gender performance rather than biological sex, which is usually accepted for distinguishing sex. Therefore, a MTF cross‐dresser with feminine performance is considered as a ‘woman,’ regardless of one’s physical and biological conditions. Because of this recognition of gender based on gender performance, people in the community are able to develop the ‘quasi‐heterosexual’ relationships as men and ‘women.’     

强迫的异性恋和压抑的女同性恋--从女性主义角度解读伍尔夫的《达洛维夫人》

作为现代主义及女性主义小说家,弗吉尼亚·伍尔夫把意识流创作手法和女性主义思想高超地结合于《达洛维夫人》的小说创作中.她通过女主人公克拉丽莎的内心意识流动来揭示女性在婚姻生活中的真相--强迫的异性恋和压抑的女同性恋,旨在批评作为社会权力规范的异性恋婚姻制度.伍尔夫的女同性恋意识对20世纪60年代的女同性恋女性主义批评的产生及20世纪90年代的酷儿理论的兴起都具有前瞻性的意义.     

Queer Edna in The Awakening

As a celebrated American feminist writer,Kate Chopin and her novel The Awakening are always the signal texts for feminist crit icism.Going beyond feminist perspective,this paper tries to interpret the heroine Edna through queer lens,studying the setting of the Cre ole society and Edna’ s relationship with Adele Ratignolle and Robert Lebrun,and therefore reveals the tragic woman as an unspoken queer.     

《红楼梦》中藕官-蕊官性脚本的解构意义

曹雪芹在《红楼梦》第58回“杏子阴假凤泣虚凰，茜纱窗真性揆痴理”中描绘了藕官－蕊官的女性同性恋情状，从中体现了对清代社会父权统治的有限的解构意义。     

School of shock: film,television and anal education

Since their inception, film and television have been accused of having all kinds of magical powers to alter behaviour, coerce malfeasance and encourage debauchery. Decades of media theory later, the powers of persuasion are in fact thought to be much more modest. One area where popular media is considered to be particularly influential is education, with film and television being perceived to have a role in teaching audiences about certain topics, notably sexuality. This paper focuses specifically on the education provided by film and television about anal heterosex. Screen depictions have a function in not just putting such a sex act onto the audience agenda but in guiding viewers' reception. In this paper, the use of pleasure, pain and power frames is examined to explore the specifics of the anal education provided by screen fiction.     

Knowledge of love: narratives of romance told by 12-year-old children

This article reports research on young people's conceptualisations of love and romance through a gender perspective. The data are stories written by 12-year-old girls and boys in Norway who were asked to fantasise about their future love life. Their narratives are explored through discourse analysis and semiotics and analysed within a sociological framework. The article has two major aims. The first is to contribute to the methodology of collecting essays written by young people to gain knowledge of their conceptions of adult life. The second aim is to offer new findings on the specific subject of romantic love in contemporary society, by describing how to do love in young people's fiction.     

天堂里的单身汉：一个国家的主题

文学中的单身汉具有多样性和特殊性的特点,并且已变成一种媒介,即研究社会和人类不同文化结构特点的媒介。同时单身汉主题的出现,也为小说理论提供了新的性别分类方法。它展现了一个弯曲的阶级和一种特定的文化特征;即使它不能完全呈现出来,其重要性也已建立在时代特征的框架上了。＂唐人街的单身汉＂为我们提供了一个研究潜在性特征结构的假想空间,通过自然主义的审美描写昭示对社会的看法。随着文学主题学批评对单身汉和男性结合主题关注的增多,单身汉主题自成一派,我们也意识到其政治意义的冗长和压制（压抑）。