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Philip Schug 《Communication quarterly》2013,61(1):26-28
Brock's (1985) recent suggestion that rhetorical critics who work out of the philosophy of dramatism could enrich their analyses by utilizing Burke's pentad and terms for order in combination is taken up in this essay. Enhancing these grammatical and formal features of drama through application of Burke's “principle of perfection,” nine “indexes of dramatic intensity” are proposed and were employed in a study of the tragic‐symbol preaching of Rev. Jerry Falwell. Falwell's televised discourses are found to be strongly dramatic and appropriately so, given the audience of true believers bent on changing society he addresses. 相似文献
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Satoshi Ishii 《Communication quarterly》2013,61(4):391-393
This essay is an attempt to investigate and discuss the significance and validity of researching Buddhist preaching as the main undercurrent of Japanese rhetorical communication practices. The argument first points out contemporary rhetoricians' weaknesses in research, and proceeds to discuss the importance of viewing preaching as a form of rhetorical communication. It then describes historical backgrounds of Japanese Buddhist preaching, and finally analyzes the preaching principles in comparison with the five canons of Western rhetoric, stressing the value of studying Buddhist preaching from the rhetorical perspective. 相似文献
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