Personal reactions to ‘strange’ situations: Attachment styles and acculturation attitudes of immigrants and majority members

A growing number of studies examine the influence of individual factors on acculturation attitudes of immigrants, but few studies focus on majority members’ attitudes. In this paper, two studies are reported on the relation between attachment styles and acculturation attitudes of both immigrants (N=177) and majority members (N=243) in the Netherlands. Until now very few studies have associated cultural adjustment with attachment styles. This is remarkable, because attachment theory refers to interaction with others in new situations. Four different styles of attachment (the secure, dismissing, preoccupied and fearful attachment styles) are related to Berry's classification of acculturation attitudes. People, both immigrants and majority members, with a secure attachment style were positive towards integration, whereas people with a dismissing attachment style were not. Dismissing immigrants were more positive towards separation. Whereas both immigrants and majority members with a secure attachment style showed a similar pattern of correlations between attachment and acculturation, they seem to react quite differently, and even in opposite ways, when they have a preoccupied attachment style. Yet, the different reactions may be caused by the same psychological process: The existential ambivalence of preoccupied people may lead to diverse reactions.     

林徽因诗歌的题材类型和诗艺表现

诗人林徽因是一个被非诗的言说遮蔽了的模糊形象,但在中国现代诗歌发展的真实历史中,她却是一个极具个人特点的现代女性诗人。在较为狭窄的个人生活空间里,她的诗歌在取材上表现出了在基本单一中却相对多样的特点,在艺术上则较为注意通过理性沉思和一些技巧方法对情感进行控制,于充分的主体加工中深化诗歌的审美内涵。依据诗人的才情,她本来极有可能超越自己而成为一个具有现代意义的诗人,但由于各方面的原因,她身上种种的可能和潜力最后并没有演化成一种具体的事实。其诗的写作较多典雅规范的古典意味,个人性的创造则极其有限。     

空明澄澈 诗意境象——论董其昌山水画艺术及其当代意义

本文论述了明代董其昌山水画的艺术特征:以禅入画,诗、书、画结合以及在当代的意义。     

论鲁迅杂文的诗性品格

＂诗性＂具深浅两层涵义：浅层指艺术作品的抒情性、形象性、节奏性;深层则指的是文章之魂,是作品的精神底蕴,一种含有诗化哲学意味的整体气氛。在＂匕首投枪＂的外貌下,鲁迅杂文实则包藏的是一种独特的生命形式,一种深层的诗性,即＂诗性品格＂。它是由浓烈的诗性精神、诗性情感与发达的诗性思维共同熔铸而成的。独立不倚、大爱无伪、天马行空是鲁迅杂文的诗性精神的最主要的3个方面;而诗性情感和诗性思维,则是鲁迅杂文诗性创造过程中最重要的两大基本要素。     

生态危机与诗意拯救——《我,雪豹……——献给乔治·夏勒》的生态批评解读

生态批评是当今世界上一个历久弥新的话题,它就是要"历史的揭示文化是如何影响地球生态的",而彝族诗人吉狄马加的《我,雪豹……——献给乔治.夏勒》就深刻的体现了他浓厚的生态意识,具有超越时代的历史意义。文章试图从生态批评的角度来解读这首诗歌,让诗人强烈的世界意识和生态伦理意识直观的呈现在读者面前,同时也让诗中对生态意识的思考和生态理想得到进一步升华。     

Exploring Verbal,Visual and Schematic Learners' Static and Dynamic Mental Images of Scientific Species and Processes in Relation to Their Spatial Ability

The current study compared different learners’ static and dynamic mental images of unseen scientific species and processes in relation to their spatial ability. Learners were classified into verbal, visual and schematic. Dynamic images were classified into: appearing/disappearing, linear-movement, and rotation. Two types of scientific entities and their related processes were investigated: astronomical and microscopic. The sample included 79 female students from Grades 9 and 10. For the purpose of the study, three instruments were used. The Mental Images by Guided Imagery instrument was designed to investigate participants' visualization of static and dynamic mental images. The Water-Level Task was adopted to estimate participants' spatial ability. The Learning Styles Inventory was used to classify participants into verbal, visual and schematic learners. The research findings suggest that schematic learners outperformed verbal and visual learners in their spatial ability. They also outperformed them in their vividness of microscopic images; both micro-static and micro-dynamic images; especially in the case of appearing/disappearing images. The differences were not significant in the case of astronomical images. The results also indicate that appearing/disappearing images received the least vividness scores for all three types of learners.     

艺术设计的诗意走向何方

艺术设计的诞生是工业社会下生产的产品、人的生活用品的诗化过程。     

论英汉文学翻译中的语言美--兼议英汉翻译语体风格的转换

本立足于翻译的标准和原则，结合笔的翻译实践，从语体角度阐述英汉翻译中的语言美现象。     

废名小说《桥》的象喻语言

废名的长篇小说《桥》被誉为一部“破天荒”的“创格”作品。它在语言层面表现为一种“象喻”的特征，大量运用“转喻”和“隐喻”，既表现了艺术思维的具象性，也表现出作者对理趣与观念的钟情。同时，废名的比喻还兼有一种叙事功能。论文正是力图从语言的层面具体揭示《桥》的诗性特征的生成，并试图提供一种解读文本的微观诗学的视角。     

科技期刊封面设计:基本规范·主要类型·图片获取——以《岩石学报》为例

中国期刊国际化进程日趋加快,期刊封面设计个性化,在一定程度上对于增强刊物对读者的吸引力、推进期刊品牌效应、扩大发行等方面起到重要的作用.通过对期刊封面设计的基本规范、主要类型的阐述,结合实例剖析封面图片应如何获取,分析与说明期刊封面设计所遵循的基本原则、设计理念和构创思路,以期引起相关人员的关注,并为实践和研究提供参考.