颜色词在语言中的运用

本文以英汉两种语言中的几个主要颜色词为例,比较了它们在运用上的差异,并对英汉语言文化中颜色词的不对等现象作了一些分析。     

浅析如何正确评价“黄色新闻”

长期以来,由于对＂黄色新闻＂运作手法的诟病,传媒界很多学者对＂黄色新闻＂持全盘否定态度,本文拟通过对＂黄色新闻＂出现的社会历史背景及其对现代媒体的积极影响进行客观分析,从而对＂黄色新闻＂作出客观评价。     

仿古唐三彩碎纹釉的研制

介绍了在ＳｉＯ２－ＰｂＯ－Ｆｅ２Ｏ３红色彩绘料基础上，根据 α坯＜α釉且差值 α＞４．０×１０－６１／ｋ的原则，通过添加热膨胀系数大的熔剂原料来增大坯釉不适应性，使釉面产生均匀分布的网状裂纹制成了一种视觉效果良好的唐三彩碎纹釉，同时对其碎纹机理作了初步探讨。     

外销青花瓷上的中国民俗文化特征

青花瓷是中国古代对外贸易中最为重要的商品,其足迹遍布全世界.外销青花瓷上蕴涵了丰富的中国民俗文化,表现为民族文化融合的民俗风情、民俗文化里的实用性、民俗文化里的祥瑞风、民俗文化里的"世俗"语意、民俗文化里的艺术性.     

不同品种黄鳝怀卵量的比较

分别检查深黄大斑鳝和青黄斑鳝的怀卵量 ,结果发现深黄大斑鳝的怀卵率和怀卵强度均高于青黄斑鳝 ;深黄大斑鳝和青黄斑鳝各体长段间怀卵强度差异的不显著 ;深黄大斑鳝 2 5 .1～ 3 0 .0cm、3 5 .0～ 3 9.0cm段分别与青黄斑鳝 14 .0～ 2 0 .0cm、3 0 .1～ 3 5 .0cm和 2 5 .1～ 3 0 .0cm段黄鳝怀卵强度存在显著差异 .     

Microanalytical identification of Pb-Sb-Sn yellow pigment in historical European paintings and its differentiation from lead tin and Naples yellows

The work is focused on identification of lead tin yellow types I and II, Naples yellow, and also on discrimination of a less common, distinct yellow pigment, the ternary Pb-Sb-Sn oxide.The knowledge about all those Pb-based yellows was in fact forgotten after introduction of modern synthetic yellows in 19th century. As late as in the last decade of the 20th century, the existence of Pb-Sb-Sn yellow and its production have been rediscovered, and only then it has been identified in colour layer of artworks.Pb-Sb-Sn yellow has recently been identified in colour layer of 17th century Italian paintings by Sandalinas and Ruiz-Moreno [C. Sandalinas, S. Ruiz-Moreno, Lead tin-antimony yellow, historical manufacture, molecular characterization and identification in seventeenth-century Italian paintings, Stud. Conserv. 49 (2003) 41–52], and here we report the finding of this pigment in Mid-European painting of the 18th and 19th centuries. Lead tin yellows, lead antimony yellow (Naples yellow), and lead antimony tin yellow were synthesized in laboratory following historical recipes, their colour was analyzed, and their structure was confirmed to provide a basis for their routine identification in microsamples of artworks by X-ray microdiffraction. Unequivocal identification of Pb-based yellows could help in authentication of traditional European paintings, because their use was temporally and also geographically specific. Combination of elemental microanalysis (X-ray fluorescence electron microanalysis) and X-ray powder microdiffraction were found very efficient in the microanalysis of colour layers of artworks with Pb-based yellows and their unequivocal identification.     

建水紫陶装饰工艺的艺术特点

作为中国"四大名陶"之一的建水紫陶诞生于云南西南边陲的建水县,迄今已有近千年的历史积淀,它以自身独特而鲜明的两大工艺技术,即"彩泥刻填"和"无釉磨光"在中国制陶工艺的历程中占据着自己的一席之地。此外,素有"文人陶"之称的建水紫陶除特殊的工艺技巧外,诸多工匠艺人在陶面上进行书画创作,以陶代纸,独特的装饰艺术塑造出建水紫陶区别于一般陶器的艺术特点。     

五华三黄鸡线粒体DNA控制区全序列分析

采用PCR和直接测序的方法测定五华三黄鸡两个类群--丰华和太和类群的线粒体DNA(mtDNA)控制区(D-loop)全序列,比较分析其序列特征并构建系统进化树.结果表明:五华三黄鸡2个类群线粒体DNA控制区全序列长度分别为1232 bp、1231 bp.与原鸡相比,五华三黄鸡的丰华类群和太和类群都发现14个变异位点,其中丰华类群的变异均是基因转换,而太和类群有13个转换和1个缺失,没有观测到颠换;A+T碱基含量分别占60.4%和60.3%,G+C碱基含量都约占39.6%.五华三黄鸡与其它19种禽类的D-loop基因序列同源性的分子进化树聚类结果表明五华三黄鸡类群与中国红原鸡亲缘关系最近.     

浅论汪野亭瓷板画之题材

汪野亭先生作为瓷板画史上著名的大家之一,他的山水瓷画,上色清朗,意境超然而飘逸,用笔细致而通畅,成就卓然,达到了山水瓷画的巅峰状态。从汪野亭瓷板画的题材中,品评其高雅的趣味,飘逸淡泊的隐逸情怀,禅意深远的佛教心境,探讨他作为一个文人画家的雅趣以及其画中所蕴含的深刻的含意。