使用JAXM和SOAP访问Web服务

本文通过一个具体案例介绍了在使用JAXM进行Web服务访问时，如何生成SOAP请求消息和如何处理SOAP响应消息，对这种新的分布式信息处理方法进行了详细分析。     

论英语学习者如何鉴赏英美肥皂剧

自八十年代初以来,英美不少电视肥皂剧在我国播放,它和电影一样,都是文化的传播者。无论是故事的叙述,情节的发展以及人物关系的变迁,剧中都有很多和中式思维不太相同的地方。英语学习者不仅要通过肥皂剧巩固语言学习,同时通过语言表达出来的文化差异,吸收西方文化的精髓,懂得鉴别和欣赏以西方文化为背景的人的观念、境界和思想。让英语语言学习满足真正意义的交流和沟通。     

计算机网络WSE软件安全模型分析

随着现代计算机网络的发展,WebServices技术正被越来越广泛的使用,因此,基于SOAP消息的WebService安全问题变得更加的重要。     

Entertainment Education and social change: Evaluating a children's soap opera in Kenya

This article discusses audience responses to a children's soap opera produced and broadcast in Kenya. It examines the evaluation process in relation to qualitative audience research within Cultural Studies. It challenges an Entertainment–Education model of media as vehicles for messages and links strongly with Communication for Social Change priorities in which media are the facilitators. In such an approach this soap opera should not only fit into the cultural and social contexts of its child audience but should actively promote discussion and the interactive negotiation of meaning. The narratives address post conflict concerns of democracy, rights, peace and reconciliation, encouraging dialogue with peers and family about extremely difficult issues. The question is how we evaluate and assess such processes.     

Intersecting Narratives: Enjoying Daytime Drama as Viewers (and Actors) Experience the Days of Their Lives

In this article, I advance an explanation to account for the exceptionally vested nature of soap opera viewers in “their stories.” After reviewing relevant literature on soap operas and fan contemporary media, I highlight the complex, co-constructed narrative intersections that contribute to powerful and multilayered experiences related to daytime dramas. In particular, I contend that soap operas matter to viewers because the multigenerational nature of audiences and mediated texts foster interconnections between viewer and textual narratives. Second, I argue that soap operas resonate so deeply with viewers due to increasingly blurred boundaries between ever-emergent personal, public, and mediated narratives. As such, the crossing of these narrative paths over time necessarily results in the very real and powerful interrelationships between the show, viewers, and actors in each other's emergent life narratives.     

简论电视剧市场的发展阶段

从1958年到2006年,在48年的时间中,中国电视剧市场的发展大约可以被看作三个主要阶段：萌芽阶段、发展阶段和成熟阶段。为了建构电视剧市场理论体系,以电视剧市场为理论本体和研究焦点,从市场学和传播学的视角出发,对电视剧市场发展历程进行划分。     

XML技术在网络教学系统中的应用

本文引入了XML等相关技术，并将三层结构体系应用于网络教学系统的设计中，为系统提供了一个安全的模块化的架构，保证了系统的充分扩展性。     

《亮剑》:中国影视美学的新景观

《亮剑》投合了大众文化审美心理,满足了中国当代大众的审美期待视野,符合中华民族的审美规律。在叙事策略上,《亮剑》采取新的观察角度——狂欢化的视角,采用民间狂欢的表达方式,塑造了全新的草莽英雄形象,展示了被遮蔽在官方概念下的民间价值观。狂欢化的表达方式颠覆和超越了以往同类作品的模式化窠臼,使观众得到痛快淋漓的情感宣泄,给艺术接受活动带拳了新鲜欢快的情感体验。