欧洲阅读联盟(EURead)推广阅读活动与启示

[目的/意义]欧洲阅读联盟是欧洲社会力量开展阅读活动的母平台，联盟成员所开展的阅读活动既有差异，也有共性，社会影响力大。通过对欧洲阅读联盟成员所办阅读活动及其规律的分析，可为我国公共图书馆主导与开展阅读活动提供借鉴。[方法/过程]概述欧洲阅读联盟，对其成员类型进行解析，并对每一成员的阅读项目进行共性分析，凝练出阅读活动的经验及规律。[结果/结论]我国应建立多级阅读推广力量，建立政府购买阅读服务长效机制，开放图书馆的阅读活动空间，提升阅读活动频率，开发多样化、差异化的阅读活动。     

Developing the evidence base for UK film strategy: the research process at the UK Film Council

The UK Film Council established a Research and Statistics Unit in order to gather data relating to film to inform the development of UK Film Council strategy and to provide an information service to the industry, government, the arts and cultural sector and the wider research community. The Research and Statistics Unit draws data from both official and unofficial sources and commissions its own special-purpose studies to gather information relevant to the strategic objectives of the Council. Key tasks are the measurement of the size of the market for film and the various elements of the film value chain, the performance of films supported by the UK Film Council and the performance of UK films in general. Special-purpose research projects currently include a detailed survey of the film production workforce, a study of the economic impact of the UK screen industries and studies of the social impact of local cinemas and the experience of Black- and Minority-led film production companies. A range of industry and official partners are collaborating in these studies. The Research and Statistics Unit also provides statistical and policy analysis relating to the wider policy environment of UK film, including issues such as the future of film tax incentives. This analysis has been developed within the HM Treasury ‘Green Book’ framework with particular reference to understanding market failure in relation to film. Central to the market failure argument is the cultural value of film in both its qualitative and its quantitative aspects. UK Film Council research is placed in the context of the literature on hedonic pricing and contingent valuation. The industrial challenges of increasing cultural value are discussed. Finally, consideration is given to the potential of film to contribute directly to ‘public value’.     

高校校运动会的现状调查及改革的时代特征

采用文献法、调查法、统计法、分析法等 ,就高等学校运动会的现状 ,对福建省 14所本科院校 15 40名师生员工进行了调查研究。结果表明 :当前高校传统运动会筹划主体单一 ,参与目的功利性强 ,项目设置竞技化 ,参与对象精英化 ,文化层面狭窄 ,经费来源单一。体育文化节取代传统校运会是时代发展的必然趋势 ,其大众性、娱乐性、健身性、竞技性、主体性、人文性、时尚性等鲜明的时代征反映了社会发展对高校校运会的重新认识和定位 ,体现了素质教育思想、终身体育思想在高校体育领域内中的充分展现。     

Power Struggles,Regulation and Responsibility

This article explores the relationship between the British Board of Film Classification (BBFC) and government during the implementation of the Video Recordings Act (VRA). It considers the public Parliamentary debates about the VRA, and places them alongside private correspondence between the Home Office and the BBFC, and internal BBFC material from the recently catalogued James Ferman papers held at the BFI. As well as exploring the introduction of the VRA, this article also aims to briefly consider its implications for the BBFC, how they set about interpreting and implementing its stringent recommendations and how this impacted upon the organisational working practices of the Board. While the VRA was without doubt one of the most significant pieces of legislation within the history of film regulation in Britain, the time is ripe for its reappraisal and with it a re-evaluation of the role played by the BBFC in securing statutory regulatory powers.     

节庆活动中的文化展示——以广西宾阳炮龙节为例

随着旅游开发的进一步深入,民间的节庆活动也被当作旅游开发的资源。运用民俗学与旅游人类学的理论方法分析影响文化展示的因素,并在此基础上找到文化展示的方法,对当前旅游环境下民俗文化的保存与发展具有积极的意义。     

旅游节庆及其文化性因素论析

随着旅游业的发展，我国的旅游节庆活动经历了一个由无到有、由有到优、由优到产业化的过程，旅游节庆活动已成为国家或地区旅游竞争的重要指标。在前人理论研究的基础上，笔者从文化的角度分析了旅游节庆活动成败的关键性因素，并期望深化旅游节庆的理论研究。     

从几部电影浅谈埃及美学

古埃及是一个神秘的国家。神秘而美的金字塔,纷繁瑰丽的各种文字图画,诡异的木乃伊甚至是让人不寒而栗的木乃伊等都吸引着越来越多的人去探索。在电影方面,以此为题材而拍摄的相关电影里,导演更是将这种神秘诡异渲染的扑朔迷离。本文试图从电影中的有关场景并结合埃及宗教的特点来诠释金字塔、木乃伊和圣甲虫所代表的美学意蕴。     

"黑色"影像里的社会与人生--黑色电影研究

作为一种类型，黑色电影具有独特的风格情调。造成这种状况的原因在于黑色电影产生的社会背景的复杂性。在商业电影迅猛发展的今天，探讨黑色电影的类型化电影元素的生成以及在借鉴的意义上关注中国大陆电影的一种发展趋势，是有积极意义的。     

从宋词看上巳节俗在宋代的流变

上巳节是我国一个具有浓厚节俗色彩的传统节日,它从产生以来,就孕育了丰富的节俗内涵。入宋以后,上巳节俗不再如前代丰富,并打上了一层挥之不去的感伤色彩。上巳衰微,是多种原因共同作用的结果,通过对宋上巳词的分析研究,仍能探得上巳节在宋代的流变。     

论“北歌南灯”之特征及其差异

东北秧歌、陕北秧歌,安徽花鼓灯和云南花灯,是“北歌南灯”的重要代表。“北歌南灯”的舞步、舞姿等动律特征和舞具特征反映了汉族民俗舞的南北差异。同时,通过各地区民俗舞之间的交互影响甚至是直接的播迁、传承,又使“北歌南灯”在许多地方保持了一致性。