高雅艺术与体育教学融合的实践研究以芭蕾形体课为例

通过教学实践,从基本技术学习、掌握相关理论、提高相应能力、塑造自身形体等方面,对在工科院校女生体育课中开设芭蕾形体课的教学效果进行了研究。结果表明普通高校开设芭蕾形体课程,既能增强学生能力促创新,又能提高学生气质塑形体,是高雅艺术与体育教学的有机融合,是实施素质教育又一有效途径,定会对素质教育和高雅艺术教育的普及和发展起到推进作用。     

谈芭蕾舞剧《罗密欧与朱丽叶》的艺术美

<罗密欧与朱丽叶>原来是由文艺复兴时代英国人文主义剧作家莎士比亚于1595年根据一个民间流传的动人的爱情故事所创作的话剧,后来由俄罗斯作曲家普罗科菲耶夫谱曲,使其变成世界著名的芭蕾儋舞剧.该文主要从音乐和舞蹈两大方面进行简要的叙述,让读者更直接的感受<罗密欧与朱丽叶>给人们带来的无限魅力.     

拉丁舞教学程序模式的构建

通过对芭蕾舞基本功、爵士舞基本功和拉丁舞的教学分析,构建了拉丁舞教学程序模式,为广大体育舞蹈教学工作者和爱好者,提供了拉丁舞教学的一个新方法、一个新模式、一条新途径。     

关于对南京市少儿芭蕾舞培训现状的调查分析

芭蕾舞以其独特的艺术魅力已越来越受到人们的青睐。通过对南京市少儿芭蕾舞培训现状的调查分析,找出目前存在的不足,并提出改进的意见,为有关方面决策提供一定的理论依据。     

Retirement as a career transition in ballet dancers

This paper discusses ballet dancers’ retirement, looking at the reasons for ending a performing career and their rehirement to an alternative role(s). The findings, explore different dimensions of the reasons for retirement. It attempts to investigate and nurture alternative thoughts on chronological age, in the context of ballet dancers’ retirement. Semi-structured interviews were conducted with 14 international ballet dancers. A qualitative approach was adopted through Interpretative Phenomenological Analysis (IPA), and tenets of Grounded Theory. Practical implications for career guidance practitioners are addressed in the final section.     

Body learning: examining the processes of skill learning in dance

This paper was stimulated by the authors' attempt to understand the process of skill learning in dance. Its stimulus was a period of fieldwork based at the Royal Ballet School in London, and subsequent discussions with the school's teachers and with academic colleagues about how it was that the young dancers developed their characteristic set of skills. The paper's focus and method is philosophical, although it draws on empirical data (albeit sparingly) where it is relevant to the discussion.

Many accounts of skill learning are premised on the presumption that learners come to know about their environment by representing it in the mind and that such representation is a result of a computational process involving information received through the senses. This is the dominant position of researchers in the field. In this paper, we discuss weaknesses in this information processing theory, and explore the elements of a more satisfactory approach. The account offered here locates dance skills within the context of development, in which skills are incorporated in learners through practice and training in dance environments. Dreyfus' theory of expertise and Bourdieu's theory of practice offer insights into the practical mastery young dancers carry in their bodies, which cannot be accurately formulated in terms of a system of representations. Dancers, from this perspective, do not passively follow instructions, but actively engage in tasks involving characteristic ways of moving that are situated in the nexus of relations between people and the distinctive contexts of dance. The paper suggests that skill learning in dance (or indeed any domain) is not a matter of processing information, but is imminent in the active, perceptual engagement of learner and context.     

竞技健美操运动员身体姿态控制能力的分析研究

身体姿态控制能力是影响竞技健美操运动员成套动作完成得分的关键,是取得优异成绩的保障。身体姿态控制能力应该作为竞技健美操训练的重要内容加以对待。详细阐述了健美操运动员身体姿态控制能力的重要性,以及它的构成因素;同时,对健美操身体姿态控制能力的训练提出建议,以期为健美操的训练提供一些理论依据。     

The development of dance attitude scales

This research report describes the development of dance attitude scales which were 'grounded' in the opinions of groups of 11-16-year-old pupils in six schools throughout England. Factor analyses involving an initial sample of 368 male and female secondary school pupils produced four embryonic scales which were then tested with a sample of 1,668 adolescents. Satisfactory internal reliability coefficients were achieved and scale intercorrelations provided evidence of the scales as distinct measures. Further analyses undertaken to test validity employing data from the larger sample indicated that two of the proposed scales, Ballet and Male Dancers, may be valid measures of attitude, although less confidence can be placed in the third and fourth scales. Suggestions are made for the development and application of the inventory.     

Developing Children in New Zealand School Physical Education

This paper critically examines the assumptions about 'childhood' and 'child development' that inform curriculum construction in school physical education. Drawing on insights from poststructuralist social theory and critical psychological perspectives, the paper argues that developmental discourses have a material life embodied in the institutional practices of school physical education. A New Zealand physical education syllabus is used as an illustrative exemplar of the ways in which developmental imperatives shape the construction of learning goals, design of curriculum experiences and teachers' observations of their students. It is argued that the construction of a normative, hierarchical trajectory for child development categorises, classifies and marginalises groups of children whose developmental patterns differ from those mapped out in the syllabus. The paper concludes by examining the conditions of possibility present in more contemporary physical education syllabi and theory that afford opportunities for thinking about physically educated children differently.     

Musculoskeletal injuries in professional modern dancers: a prospective cohort study of 15 years

We analysed work-related musculoskeletal injuries (WMSI) in two modern dance companies to determine whether injury rates decreased and patterns altered compared to previous 3-yr and 6-yr audits (0.48 and 0.25/1000-hrs exposure respectively). In this prospectively designed 15-yr cohort study, data were collected in 30-dancer Company-1 and 12-dancer Company-2. In-house physical therapists tracked WMSI and time-loss-injuries for 159 dancers (42 dancers/yr). 15-yrs were grouped into five 3-yr blocks for comparison with prior audits. Negative binomial logistic regression analyses were conducted with exposure-hrs converted to the natural log and used as the offset variable. Block and company were categorical predictors for dependent variables: WMSI, time-loss-injuries, trauma-injuries and overuse-injuries (p < 0.05). 69% of dancers reported WMSI; 45% sustained at least one time-loss-injury. Company-1, with greater annual exposure, was 1.6-times more likely to sustain time-loss-injuries (p = 0.016, CI = 1.095–2.422) and 5.6-times more likely to sustain time-loss overuse-injuries (p = 0.003, CI = 1.812–17.327). Compared to Block-1, WMSI and time-loss-injuries decreased in Blocks-2, 3, and 5 (p ≤ 0.027). The ratio of time-loss overuse to trauma-injuries was reversed, with trauma-injuries accounting for over 80% of injuries by Block 5. Time-loss-injuries averaged 0.16 injuries/1000-hrs, lower than rates in ballet and sports. Decreased injury rates and changed injury patterns demonstrate efficacious injury management and prevention programming.