中学美术学科的教学原则

本文从高师美术系《美术教育学》的教学实际出发,提出中学美术学科的教学原则,应在肯定《教育学》所列初中教学原则适用于本学科教学的基础卜,补充“审美性”、“创造性” 与“协调性”原则,分别阐述原则的含义、提出原则的依据以及原则运用的要点。其中关于“中学美术学科教学过程的特殊性,即在于教学内容的艺术属性和教学手段的审美特征”,关于“抽象思维与形象思维二者的高水平发展以及二者的协调和谐,是人创造活动必备的一种心理素质”,关于“协调性原则是辩证施教的原则,是一条‘运用原则’的原则”等创见,在教学理论研究方面具有一定的价值。     

集群犯罪的心理原因与心理效应探析

集群犯罪不同于一般的共同犯罪 ,它的发生有其深层的社会原因和特殊的心理动因。研究集群犯罪行为发生的过程及其心理原因 ,可以帮助我们在预防措施和处置对策的选取上更具针对性     

艺术学研究生学位论文撰写问题刍议——基于广州美术学院论文盲审结果的分析

艺术学硕士的学位论文撰写具有一定的特殊性。本文以广州美术学院艺术学硕士论文盲审结果为基础,从论文选题、文献资料的掌握情况、论文的论述过程和论文写作规范四个方面,透视艺术学硕士论文撰写中存在的问题及其深层次原因,以期为提高艺术学硕士培养质量提供一定的参考。     

智能控制课程之蚁群算法教学方法探讨

根据智能控制课程特点和大纲要求,对智能控制领域所用到的蚁群优化算法内容的教学方法进行了探讨,研究了一些旨在引导和提高学生学习积极性的具体方法和措施。教学实践证明,该教学方法不仅可以提高学生的学习兴趣,而且还可提高学生学习的参与性。     

蜂群算法在TSP问题上的应用及参数改进

在分析蜜蜂采蜜原理和蜂群算法模型的基础上,本文提出了一种适于组合优化问题应用的改进蜂群算法,将其应用在TSP问题的求解上,并对其重要参数limit的求解方法进行了改进。在TSP LIB上的仿真实验结果表明,改进算法全局搜索能力强,有较好的发现最优解的能力。     

蚁群优化算法的理论、改进及应用

蚁群优化算法是一种新型的模拟进化优化算法,为求解复杂的组合优化问题提供了一种新的思路。文章对蚁群优化算法理论及其收敛性进行了分析,并从选择策略、信息素更新、信息素浓度的变异等多方面对蚁群优化算法提出了改进,不仅使其跳出局部最优解的能力更强,而且能较快地收敛到全局最优解,在TSP问题上的应用表明改进算法具有良好的性能。     

Geographic clustering of economic activity: The case of prominent western visual artists

This article compiles original data relating to artists’ place of birth and work migration patterns using various art history dictionaries. The broad historic pattern, from the 13th to the 20th century, of the birth locations of prominent artists is examined, followed by a detailed study of the work migration patterns of prominent artists in two important situations, namely Renaissance Italy and France in part of the 19th century. The evidence indicates a marked clustering of activity of prominent artists, both arising from birth location and migration patterns. Some possible explanations for the observed patterns are briefly outlined.

Motor control of practice and actual strokes by professional and amateur golfers differ but feature a distance-dependent control strategy

Abstract

We explored how practice and actual putting strokes differed between professionals and high-level golf amateurs, and how practice strokes reflected subtle differences in putting distances. We analysed swing amplitude, impact velocity, and acceleration profile of the club-head. The acceleration profiles showed that the motor control pattern of the practice stroke differed from that of the actual stroke. To clarify the effects of different putting distances on the practice stroke and to analyse how much the actual stroke could be explained by the practice stroke, we conducted individual regression analyses. The practice strokes of all participants could be divided into three strategies and five types by the coefficient of determination and the slope. This implies that the purpose of the practice stroke varied among golfers. Most golfers used the individual velocity criteria in their practice strokes, which resulted in different putting distances based on their criteria. Unexpectedly, we found no significant difference in skill level between professionals and high-level amateurs. The results of this study imply that the practice stroke does not duplicate the actual stroke, even for professional golfers with excellent skills. However, most high-level golfers adopted distance-dependent control strategies for slightly different putting distances.     

细颗粒物(PM_(2.5))对农村环境空气质量评价的影响分析

为了评估细颗粒物(PM2.5)监测对农村空气质量等级的影响,2014年在3个村庄监测了二氧化硫(SO2)、二氧化氮(NO2)、吸入性颗粒(PM10)和细颗粒物(PM2.5)等污染指标,使用环境空气质量标准(GB 3095-2012)和环境空气质量指数(AQI)法进行评价。结果显示:农村环境空气质量评价等级在细颗粒物(PM2.5)纳入评估后有所降低,等级为优的比例从29.7%下降到1.7%,等级为良的比例从70.3%提高到95.0%,同时轻微污染的比例从0提高到3.3%。环境空气质量指数(AQI)法对空气污染物有了更准确的评价,能评估未超标情况下空气污染物对空气质量的贡献程度。PM2.5与PM10有显著的正相关关系。     

Conceptualising Intergenerational Lived Experience: Integrating Art–Moving–Well-Being across Disciplines,Communities and Cultures

Art and movement are motivating forces in, through, and beyond education. As populations age, there is an increasing need to support physical and social well-being. Yet, since the onset of the COVID-19 pandemic, there has been a reported exponential increase in feelings of loneliness across generations. Complex challenges require trans-disciplinary solutions, and this paper represents a joint effort within and across disciplines, communities and cultures to find ways to ameliorate this silent epidemic. In this paper, we propose a cross-disciplinary conceptual framework where Aboriginal Artists and Knowledge Holders, Teacher Educators, and Physical and Occupational Therapists come together to explore theoretical and pedagogical insights that encompass intergenerational art–moving–well-being practices, reducing feelings of loneliness and improving social connections across generations. There are two main aims of this paper; first, to better understand current studies that report on integrating art–moving–well-being practices, and the effect this has on health and well-being of intergenerational participants (under 10-year-olds, 20+ year olds and 50+ year olds). Second, based on community needs, the long-term aim is to propose a flexible art–moving–well-being conceptual model that is scalable, sustainable and based on social and relational support systems. We propose a model that is flexible and adaptable within and across our local community and beyond. We argue that feelings of loneliness are unique to each individual, and there is a need to connect specific intergenerational programmes with art–moving–well-being practices that readily engage and integrate varied communities and cultures in sustainable ways and thus, contribute to thriving communities.