The impact of digital technology on archival science

Archival science is to be regarded as a system. The properties of that system can be investigated and integrated. The methodology to do so has been tested in two research projects which are presented in this article as examples of the way in which the view of archival science as a system supports the development of new knowledge and as a demonstration of the stability of archival theory. This article presupposes that the archival discipline is also a “science”. Many have argued against the idea on the basis of a common perception that a science is a type of study entirely objective by virtue of the rigorous manner in which it is carried out and the restricted range of topics to which it applies. In fact, the activity of science is based upon a complex framework of assumptions that make it possible for the landscape of the scientific endeavour to be redrawn over time, and, while striving towards objectivity, considers it to be an unattainable ideal.     

对我国近现代学校武术内容及活动变迁过程的研究

采用文献资料的方法,综合考察我国近现代学校武术百年发展历程.研究认为:1)近代学校武术是在古代学校武术的基础上发展起来的,这与当时的历史背景和教育需要是分不开的;2)近代学校武术的发展首先是来自于"土洋之争","尚武精神"在学校得到捍卫,但是武术教学情况发展很不平衡,武术师资经历了聘请到培养的过程;3)现代学校武术向着规范化方向发展,体育院校武术教育不断扩展,各地武术馆校层出不穷;4)近现代学校武术的发展给我们的启示:东西文化的撞击使学校武术得到了新发展;学校武术的发展需要有长远的规划作保障;学校武术水平的提高是以师资力量为基础.     

当代中国体育用品企业的成长模式与成长状态

在文献资料阅读和对166家中国体育用品企业进行问卷调查的基础上,把体育用品企业界定为以体育用品的生产和经营为主要内容的企业或近似组织。从创建模式和经营模式两方面分析了中国体育用品企业的成长模式,从时间结构、空间结构、经营结构、组织结构、地域分布、所有制分布六个方面描述了中国体育用品企业的成长状态。     

空明澄澈 诗意境象——论董其昌山水画艺术及其当代意义

本文论述了明代董其昌山水画的艺术特征:以禅入画,诗、书、画结合以及在当代的意义。     

现当代文学课教学改革探索

现当代文学作为中文系学生的专业基础课，其吸引力在悄悄减弱。基于这种教学现状，我们在教学改革中作了一些新的尝试：转变教学观念；改革教学方法与教学手段；变革考试模式。     

近代启蒙思想综述

本文在综合分析近年来学术界在研究我国近代启蒙思想成果的基础上,以近代启蒙思想家提出的重要的"新民"思想作为切入点。通过对西方启蒙运动的本质和特点的分析,揭示我国早期近代"新民"思想同时具有进步性和局限性的特点,从而得出近代"新民"思想不能达到真正的启蒙效果的原因。     

The Archival Bond

This paper presents the concept of archival bond as formulated by archival science and used in a research project carried out at the University of British Columbia, entitled The Preservation of Electronic Records. Being one of the essential components of the record, the concept of archival bond is discussed in the context of the traditional diplomatic and archival definitions of records, and its function in demonstrating the reliability and authenticity of records is shown. The most serious challenge with which we are confronted is to make explicit and preserve intact over the long term the archival bond between electronic and non electronic records belonging in the same aggregations.     

The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES*

This article presents the concept of electronic record as articulated by the first phase of the InterPARES (International research on Permanent Authentic Records in Electronic Systems) Project (1999–2001) and discusses it in light of the findings of the second phase of the Project (2002–2006). While InterPARES 1 focused on records produced and/or maintained in databases and document management systems, InterPARES 2 examined records produced and/or maintained in interactive, experiential and dynamic environments. The authors describe the characteristics of these environments and of the entities found in them in the course of case studies conducted on systems used for carrying out artistic, scientific and e-government activities, and propose the new concept of record that InterPARES 2 is eleborating, which expands on that formulated by InterPARES 1.The authors would like to thank InterPARES 2 research assistant Randy Preston for his careful editing and constructive criticisms. Some of his suggestions have been incorporated in the text of this article.     

从色彩视角对苗族刺绣与当代油画的比较与分析——以黔东南苗族刺绣为例

围绕苗族刺绣和当代油画用色进行比较研究,旨在进一步认识和挖掘民族艺术精华,对进一步繁荣民族艺术起到积极作用。