对中国美学发展之途的一种思考

束缚中国美学实质性的发展的根本性局限在于从认识论框架出发,固守主客两分的二元对立思维模式。1990年代关于《巴黎手稿》尤其是"美的规律"的重新讨论,集中体现了以上思维模式对于美学研究的局限。而1990年代关于"实践美学"的争论,既提出了一些对中国美学发展具有重要意义的建设性意见,又存在对实践美学的某些误解,有些论点本身也存在争议。美学发展的突破途径在于走出主客二元对立的认识论思维方式。我们认为,蒋孔阳先生以实践论为哲学基础、以创造论为核心的审美关系说为此提供了有价值的思路。     

Constructivisms and Relativisms: A Shopper‘s Guide

Diverse forms of constructivism can be found in the literature today. They exhibit a commonality regarding certain classical positions that they oppose - a unity in their negative identities - but a sometimes wild multiplicity and incompatibility regarding the positive proposals that they put forward. In particular, some constructivisms propose an epistemological idealism, with a concomitant relativism, while others are explicitly opposed to such positions, and move in multifarious different directions. This is a potentially confusing situation, and has resulted in some critics branding all constructivisms with the charge of relativism, and throwing out the baby with the bath water. In addition, since the epistemological foundations of even non-relativist constructivisms are not as familiar as the classical positions, there is a risk of mis-interpretation of constructivisms and their consequences, even by some who endorse them, not to mention those who criticize. Because I urge that some version of constructivism is an epistemological necessity, this situation strikes me as seriously unfortunate for philosophy, and potentially dangerous for the practice of education.     

现实世界不确定性的哲学意蕴

不确定性是普遍存在的,是现实世界的本质属性。人类的实践和认识活动并不仅仅在于追求确定性,更重要的是消除不确定性。不确定性渗透在人类的思想、行动之中,是各种理论的前提和基础。它根源于客观事物或过程自身和认识主体以及认识主体与客体之间的复杂关系中,具有本体论与认识论的含义。     

Learning through artful knowing

Unfinished and ongoing exploration, Oil Painting, 1.30?*?1?m, September 2015.     

The construction of women’s social spaces through physical exercise in urban China

Abstract

By applying feminist geographical theories and qualitative research methods, this article reveals Chinese women’s exercise experiences in urban spaces and discusses how women, through physical activity in neighbourhoods, public places and commercial facilities, constructed social spaces of their own. The findings show that exercise spaces are potentially sites for women’s health, well-being, social networking and collective empowerment. They challenge traditional gendered urban spaces by deconstructing the dual structure of ‘public’ and ‘private’ spheres, inducing women to gradually shift from the ‘edge’ to the ‘centre’. Though the spatial differences in women’s physical activities reflect the diversity and dynamics of women’s spatialities, they also imply the continuous social powers on women in exercise fields, where gendered disparities and class stratification may be sustained.     

家园难觅情归何处——论20世纪80、90年代女性散文的不同特点

20世纪90年代的女性散文文本在女性意识的表达,对两性关系的探索及艺术表达方式方面与80年代散文都有很大的不同,这种不同背后又有着复杂的社会文化原因.     

发生认识论在聋人高等教育中的应用

本文从媒体要素被引入教学模式入手 ,分析了信息传递在聋人高等教育中的重要性 ,从发生认识原理论述了聋人认知形成的特点 ,提出了在发生认识论原理模式下的结构强化的发生认识论聋人教育模式 ,分析了这种模式在实践中的应用     

论美的艺术

艺术何以会是美的,这是美学史上讨论了两千多年的问题,但以往的回答都是由于缺乏辩证的眼光而陷于片面,因而不能真正揭示问题的实质。从本体论、认识论、价值论统一的理论看,人们以科学的观点和标准来衡量和评判艺术造成许多认识的误区。因此,必须重新阐发美的艺术在人的生存活动中的意义。     

新时期女性文学主题的嬗变

新时期女性文学经历了漫长的历史地表之下的生存,在思想解放的春风中开始痛楚而柔韧的复苏。新时期女性文学从文化“寻父”到“弑父”,从“寻母”情结到“憎母”情绪,从退守女性“私人生活”到展开“一个人的战争”,写作主题不断变迁。本文通过阐述女性文学寻找男人———否定男人———追溯母体———回归自我的精神旅程,旨在呈现女性意识不断发展与成熟的过程。