The Myth of Catholic Italy in Post-Fascist Newsreels

This article analyzes how Catholicism had a central role in the identity-creation process after the War. The study employs the online archive of the national agency ‘Istituto Luce’ to analyze 261 newsreels about religion released between 1946 and 1965. The article uses (i) Benedict Anderson’s work on imagined communities and (ii) Roland Barthes’ concept of mythology as theoretical frameworks. This study indicates that the majority of newsreels presented Catholicism as intertwined with Italian politics, and as a central element of both tradition and modernity. These findings suggest that the newly formed Italian democracy used the media to emphasize certain aspects of Catholicism, while overlooking others, such as its implications with the Fascist regime. In this way, the media contributed to create a post-war myth where Catholicism represented a moral resource for the country’s leaders and citizens. This historical process contributes to explain the contemporary pervasiveness of Catholicism in Italian media.     

The Changing Media Representation of T. E. Lawrence and Celebrity Culture in Britain, 1919–1935

Abstract

This article presents a new analysis of representations of T. E. Lawrence to explore how the media created celebrity identities in interwar Britain. Examining his appearance in seventeen national newspapers and in newsreels between 1919 and 1935, it shows how earlier press depictions that borrowed from Lowell Thomas’s portrayal of him as the mythical ‘Lawrence of Arabia’ were disrupted by a nascent media-driven celebrity culture which aimed to uncover intimate details of the lives of the so-called ‘real’ people that were believed to exist behind the outward personae of the famous. By the late 1920s, the press’s attention had switched from Lawrence as an imperial adventurer to focus on the intensely private man who lay behind the public image of the ‘Blonde Bedouin’. This shift in emphasis denoted a significant change in the way celebrities were presented by the news media in interwar Britain. Journalists intensified their exposure of celebrities’ private lives to amplify the empathetic connection between the public and the famous at a time when new modes of self-fashioning were configured through expression in private, domestic life. This shift was also informed by growing anxieties regarding how public figures communicated their social authority to the new audiences of the interwar mass media, newspapers and newsreels exposing famous people’s private lives to generate emotional connections with members of the public which would strengthen concepts of social leadership and trust.