| 视野的拓展与诗艺的转型--辛笛40年代的诗歌写作 |
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| 引用本文： | 蒋登科. 视野的拓展与诗艺的转型--辛笛40年代的诗歌写作[J]. 哈尔滨学院学报, 2001, 22(2): 60-63 |
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| 作者姓名： | 蒋登科 |
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| 作者单位： | 西南师范大学,中国新诗研究所,重庆,400715 |
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| 摘 要： | 辛笛是20世纪40年代九叶诗派的主要诗人之一,他的诗歌创作根据主题、艺术取向等可以分为大学时代、留学时代等几个时期,本文主要就他在40年代的九叶时期的创作进行了探讨.辛笛这时期的创作在延续过去艺术追求的同时,也出现了一些变化.他的艺术视野得到了很大拓展,将自己的生命体验与时代变化结合得更为密切,对自己和时代给予了更多的艺术解剖.这也就导致了艺术上的转型,主要是把西方现代主义艺术观念和手法与中国现实融为一体采用了讽刺、反讽等手段建构自已的艺术世界,取得了独特的艺术成就.
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| 关 键 词： | 辛笛 诗歌创作 视野拓展 艺术转型 |
| 文章编号： | 1004-5856(2001)02-0060-04 |
| 修稿时间： | 2000-11-24 |
The Opening of the Field of Vision and the Formational Turning of Poetry Art--The Poet Creation of XIN Di in 1940''''s |
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| JIANG Deng ke. The Opening of the Field of Vision and the Formational Turning of Poetry Art--The Poet Creation of XIN Di in 1940''''s[J]. Journal of Harbin University, 2001, 22(2): 60-63 |
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| Authors: | JIANG Deng ke |
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| Abstract: | XIN Di was one of the main poets of the Nine Leaves School in 1940's. His creation in 1940's appeared a few of new changes. His artistical field of vision opened largely. He combined his life experiences with the times changes more closely, dissented himself and the times more artistically. This caused his artistical turning. He combined the artistical concepts and tech niques of the West modernism with the Chinese reality, built his artistical world by satire, inserse satire, etc. He achieved unique artistical success. |
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| Keywords: | XIN Di poetry creation opening the field of vision artistical turning |
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