| 宋徽宗《春树彩禽图》的评析与鉴定 |
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| 引用本文： | 马青云,;刘宏伟. 宋徽宗《春树彩禽图》的评析与鉴定[J]. 湖州职业技术学院学报, 2014, 0(4): 67-70 |
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| 作者姓名： | 马青云, 刘宏伟 |
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| 作者单位： | [1]湖州职业技术学院人文旅游分院,浙江湖州313000; [2]湖州市含弘阁中国古代书画研究所,浙江湖州313000 |
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| 摘 要： | 宋徽宗《春树彩禽图》精通"黄体"而发挥工笔形态,又结合工笔发挥笔墨意味,将宋代"黄筌富贵""徐熙野逸"两种主要画法融为一体。有野逸率意的笔法,但不荒疏,色彩富丽而又不艳俗,一种大雅静谧之气令人心荡神怡。画面所表现出来的春天气息,明丽夺目而又宁静,妩媚含情而又雅致。而在宋徽宗绘画的鉴定上,代笔是后来出现的应付索画的现象,作为皇帝的宋徽宗根本不存在这样的问题。
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| 关 键 词： | 宋徽宗 《春树彩禽图》 评析 鉴定 |
Analysis and Appraisal on Vernal Tree and Colorful Birdof Emperor Huizong |
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| Affiliation: | MA Qing-yun,LIU Hong-wei(1.Facuhy of Tourism and Hurnansities, Huzhou Vocational and Technical College, Huzhou 313000, China ; 2. Huzhou ＂Hanghong Pavellion＂ Calligraphy and Painting Research Institute, Huzhou 313000, China) |
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| Abstract: | In Vernal Tree and Colorful Birdof Emperor Huizong,he integrates Huang Quan’s honor-style with Xu Xi’s simple and ancient style.The style of his painting is willfulness and simple but not scattered,richly but not showy.The atmosphere of his painting is very magnificent and quiet;the spring which the painting shows is elegant and brilliant.When it comes to the problem of appraisal of Emperor Huizong’s painting,＂under the name of Huizong＂is the phenomena emerges later which is aimed to deal with the problem of＂painting request＂.Such problem would not happen to an Emperor like Huizong. |
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| Keywords: | Emperor Huizong Vernal Tree and Colorful Bird analysis appraisal |
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