| 恐怖电影与审美:一种解释学的阐述 |
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| 引用本文： | 张能为,邵小如. 恐怖电影与审美:一种解释学的阐述[J]. 临沂师范学院学报, 2007, 29(2): 100-103 |
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| 作者姓名： | 张能为 邵小如 |
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| 作者单位： | 安徽大学,哲学系,安徽,合肥,230039 |
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| 摘 要： | 根据伽达默尔解释学理论,审美价值的高低,艺术品价值的高低,诗意境界的高低,就在于言说空间之大小,超越有限空间之大小,给人留下的想像空间之大小。这一理论也被国内学界广泛接受。恐怖艺术作为一种特殊的艺术形态,具有极大的现实意义和审美价值,但由于人的传统观念根深蒂固,一般人还不愿意接受。
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| 关 键 词： | 恐怖 审美 恐怖电影 |
| 文章编号： | 1009-6051（2007）02-0100-04 |
| 修稿时间： | 2006-12-22 |
Horror Movies and Aesthetics——An explanation in Hermeneutics |
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| ZHANG Neng-wei,SHAO Xiao-ru. Horror Movies and Aesthetics——An explanation in Hermeneutics[J]. Journal of Linyi Teachers' College, 2007, 29(2): 100-103 |
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| Authors: | ZHANG Neng-wei SHAO Xiao-ru |
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| Affiliation: | Department of Philosophy, Anhui University, Hefei Anhui 230039, China |
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| Abstract: | According to Hans-Georg Gadamer's theory of hermeneutics,the aesthetic value,art value and the level of poetic realm are determined by the space of what is described,what is surpassed and what is left for imagination.This theory has been widely accepted by academic circles home and abroad.Horror art,as a special art form of terrorism,is of great practical significance and aesthetic value.However,due to the deep-rooted traditional concepts,most people still refuse to accept it. |
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| Keywords: | horror aesthetics horror movies |
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