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从概念合成理论看相声“包袱”手法在幽默言语中的意义构建
引用本文:赵芝磊. 从概念合成理论看相声“包袱”手法在幽默言语中的意义构建[J]. 安徽广播电视大学学报, 2008, 0(3): 86-89
作者姓名:赵芝磊
作者单位:中国海洋大学,外国语学院,山东,青岛,266071
摘    要:“包袱”手法是中国传统艺术形式相声特有的幽默表现手法。它在小品及某些新兴的手机短信中也成为一种制造幽默效果的重要技巧。本文试在概念合成理论的框架下对“包袱”手法如何在受众的心理上达到幽默效果进行认知解读。

关 键 词:“包袱”手法  相声  概念合成理论  空间冲突  幽默

Application of Crosstalk "Cloth-wrapper" Technique in the On-line Meaning Construction of Verbal Humor with Conceptual Blending Theory
ZHAO Zhi-lei. Application of Crosstalk "Cloth-wrapper" Technique in the On-line Meaning Construction of Verbal Humor with Conceptual Blending Theory[J]. Journal of Anhui Television University, 2008, 0(3): 86-89
Authors:ZHAO Zhi-lei
Affiliation:ZHAO Zhi-lei (Foreign Language Institute, Ocean University of China, Qingdao 266071, China)
Abstract:"Cloth-wrapper" technique is the special skill of organizing the language to bring about a hu- morous effect in the traditional Chinese artistic form Crosstalk. It has been applied successfully to popu- lar Chinese stage short plays and short messages of mobile phones. This paper aims to analyze how the audience or reader interprets the humorous effect in their mental spaces brought about by the application of such "cloth-wrapper" technique with the conceptual blending theory in cognitive linguistics.
Keywords:"  cloth-wrapper"   technique,crosstalk,conceptual blending theory,space conflict,humor
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