| 徐复祚“本色当行”论 |
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| 引用本文： | 李康. 徐复祚“本色当行”论[J]. 湖南第一师范学报, 2009, 9(2): 88-90 |
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| 作者姓名： | 李康 |
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| 作者单位： | 广西师范大学文学院,广西,桂林,541004 |
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| 摘 要： | 徐复祚“本色当行”论可分为“本色”论和“当行”论。“本色”论主要探讨戏曲语言风格，主张“本色”的戏曲语言应该质朴自然、通俗含蓄，在“雅俗”之间；“当行”论主要探讨戏曲音律，强调在文辞和音律之间应当首重音律，作曲用韵须遵循《中原音韵》。
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| 关 键 词： | 徐复祚 本色 当行 |
On Xu Fuzuo's Theory of Natural Color and Adeptness |
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| LI Kang. On Xu Fuzuo's Theory of Natural Color and Adeptness[J]. Journal of First Teachers College of Hunan, 2009, 9(2): 88-90 |
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| Authors: | LI Kang |
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| Affiliation: | LI Kang(College of Literature,Guangxi Normal University,Guilin,Guangxi 541004) |
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| Abstract: | Xu Fuzuo's theory of natural color and adeptness can be divided into natural color theory and adeptness theory.Natural color theory emphasizes the linguistic features of traditional Chinese dramas and operas.It advocates that the language should be natural and common with an appropriate standard.Adeptness focuses the tune,which emphasizes on the tune compared with language.It also requires the rhymes used in composition should follow Phonology in Central China. |
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| Keywords: | Xu Fuzuo natural color adeptness |
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