| 鸳鸯蝴蝶派言情小说的出现及特征 |
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| 引用本文： | 莫珊珊.鸳鸯蝴蝶派言情小说的出现及特征[J].桂林师范高等专科学校学报,2014,28(4):120-123. |
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| 作者姓名： | 莫珊珊 |
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| 作者单位： | 桂林师范高等专科学校中文系,广西桂林,541001 |
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| 摘 要： | 鸳鸯蝴蝶派的言情小说是对当时功利文学的反叛突围和对狭邪小说的批判继承后发展起来的.它以“衷情”为感情取向,通过才子佳人的人物模式、普遍的悲剧结局体现出浓厚的感伤氛围,为随后到来的五四新小说作了铺垫.
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| 关 键 词： | 鸳鸯蝴蝶派 言情小说 流变 人物模式 衷情 |
The Evolution and Aesthetic Features of the Sentimental Novels of the School of Mandarin Duck and Butterfly |
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| Mo Shanshan.The Evolution and Aesthetic Features of the Sentimental Novels of the School of Mandarin Duck and Butterfly[J].Journal of Guilin College of Education,2014,28(4):120-123. |
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| Authors: | Mo Shanshan |
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| Institution: | Mo Shanshan (Chinese Department of Guilin Normal College, Guilin, Guangxi 541001, China) |
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| Abstract: | The sentimental novels of the School of Mandarin Duck ＆ Butterfly broke through the encirclement of utilitarian literature and defected from it. At the same time they critically inherited the novels about brothels and prostitutes. They regarded ＂sadness＂ as the value coordinate of their feelings. They showed the sentimental sadness through the story pattern of the genius and the beauty and generally displayed their tragic endings. The sentimental novesls of the School of Mandarin Duck ＆ Butterfly set off the new novels of May 4th movement. |
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| Keywords: | the School of Mandarin Duck and Butterfly sentimental novels evolution the character pattern sadness |
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