中国山水画成熟于宋代之社会索因

六朝隋唐的山水画只是作为人物画及牛马车辔的背景不成为独立的资料 ,因而谈不上什么审美价值 ,随着中国封建社会从唐王朝到宋代鼎盛走向衰弱的变异 ,门阀世族的地位由荣而衷 ,庶族地主却通过科举入仕而由弱而强 ,代表地主阶级审美趣味的中国山水画也逐渐趋向成熟 ,宋代是确立中国山水画独立地位的时代

Social Causes of the Alaturity of Chinese Scenery Painting in the Song Dynasty

Scenery painting in the Sui and Tang period was only a background of paintings of people, animals and vehicles, hence it did not have an independent position and much aesthetic value. As the prosperous feudalism in the Tang Dynasty declined in the Song Dynasty, hereditary astocracy became obcure, while landlord class became more influential through imperial examination system. Scenery painting as a representative of landlord aesthetic tastes thus achieved mathrity and occupied an independent position in the Song Dynasty.