关于笔墨的思辩

在现代生活节奏的变化影响下，笔墨的实用性受到了怀疑，并引发对其产生的艺术形式发展的担忧。笔墨技巧首先在于表象，由表及里，求的是精神与气韵。笔墨在有与无、虚与实、黑与白、多与少、形与神的辨证统一的思想指导下，在中国传统文化历史的长河中，在儒释道学说的支配下，顺应“道”理，客观与主观交融，内容与形式统一，由工具材料转变成为具有思想性的技术的力量，由文字符号转变成为实践关学理念的工具，并以“物理形式使之公开，与他人交流，把昙花一现的心智存在转变成为永恒的东西”。

Speculation on Brush and Ink in Chinese Painting

Influenced by rhythm of modern life, the practicability of brush and ink in Chinese painting has become suspicious, and its future is worrying. This thesis begins with the attribute of tools andmaterial, to show that brush and ink has expressed the wisdom of human being during its development and embodied philosophical spirit by its form. The skill of using brush and ink is firstly materialized in appearance, from appearance to inside, to pursue spirit. Under the guide of the dialectic conceptions of emptiness and fullness, black and white, much and little, form and spirit, in the long river of Chinese culture and history, affected by traditional Confucianism and Taoism, brush and ink as tool and material has been technique power with spirit, become an instrument to practice aesthetics idea from language sign.