| 论中国古代诗画关系 |
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| 引用本文： | 常存文.论中国古代诗画关系[J].内蒙古师范大学学报(哲学社会科学版),2005,34(4):111-115. |
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| 作者姓名： | 常存文 |
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| 作者单位： | 内蒙古师范大学,美术学院,内蒙古,呼和浩特,010022 |
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| 摘 要： | 诗与画的关系是中国古代艺术美学中一个重要的理论和实践问题。诗与画作为两种不同的艺术形式具有本质的不同,在中国画中却有机地融合为一体。本文认为诗与画的融合从外在形式上表现为“以诗为画”、“以画为诗”和“诗画一体”三种形态,在内在关系上具有同一性,中国古代哲学艺术精神及文人画是这种同一性的根源。
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| 关 键 词： | 诗画关系 诗画一体 同一性 差异性 |
| 文章编号： | 1001-7623（2005）04-0111-05 |
| 收稿时间： | 2005-05-26 |
| 修稿时间： | 2005-05-26 |
ON THE RELATIONSHIP BETWEEN POETRY AND PAINTING IN ANCIENT CHIRESE TIMES |
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| CHANG Cunwen.ON THE RELATIONSHIP BETWEEN POETRY AND PAINTING IN ANCIENT CHIRESE TIMES[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2005,34(4):111-115. |
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| Authors: | CHANG Cunwen |
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| Abstract: | The relationship between poetry and painting was an important matter of theory and practice in the realm of artistic aesthetics in ancient Chirese times. There is the essential difference between poetry and painting as the two uncommon artistic forms, however, poetry and painting are merged into an organic whole in traditiinal Chinese painting. The author thinks that the mixture of poetry and painting in external form shows the three formations: painting in accordance with a certain poem; poem in the light of a painting; writing a poem in the painting directly, which is of the identity in the interior relationship, from which the philosophical and artistical spirit as well as scholars and painting derive. |
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| Keywords: | the relationship beteveen poetry and painting write a poem in the painting directly identity difference |
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