90年代女性写作的独特景观——试论林白、陈染小说的话语形式

作为 2 0世纪 90年代女性小说创作的代表 ,陈染和林白在小说的话语表达方面进行了大胆地革新 ,采用了独语的方式。独语既指向女性创作者本人基于个人的性别体验 ,面对世界的一种独特的表达方式 ,又指向作品中女性人物面对小说世界的一种独特的表达方式。女性创作者本人的内心表达有时是嵌进小说中女性人物的表达的 ,有时又是游离的。究其原因 ,则一方面是源于女性与世俗层面对话的艰难 ;另外 ,也是最根本的 ,是由于哲学层面上女性神性与精神话语的缺失

The Special Scenery of Feminine Writing at the 90s--On the discourse form of fictions written by LIN BAI and CHEN RAN

Being representative writers of feminine fictional works of the 90s, Chen Ran and Lin Bai employed mono-speech form, as a bold reform, in the speech expressions of their fictions. Mono-speech refers not only to a typical expression of a female writer towards the universe that comes out of her personal gender experience, but also to that of the female characters in the works towards the world of fictions. The expressions of the innermost being of the female writer are, at a time, embedded in that of the female characters in the fictions, and drift somewhere else, at another. Actually, the reasons lie, on one hand, in the difficulties for females to communicate with various aspects of common views, and, on the other hand, which is the most fundamental one, in the vacancy of feminine spiritualization and spiritual speeches in terms of philosophy.