| 以接受美学看《古诗十九首》中的意境 |
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| 引用本文： | 马凌云.以接受美学看《古诗十九首》中的意境[J].涪陵师范学院学报,2006,22(1):66-70. |
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| 作者姓名： | 马凌云 |
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| 作者单位： | 广西师范大学中文系 广西桂林541004 |
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| 摘 要： | 由于《古诗十九首》中有一个“未定的无人区”,即意义上的空白点,使文本中体现出朦胧空白的审美张力。虽说《古诗十九首》的各篇章都很短小,然而其中所营造的意境却有着无限想象的艺术化境,体现了广阔多极的精神空间,是创造主体的创造与接受者的再造想象相互融合的境界。
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| 关 键 词： | 接受美学 《古诗十九首》 意境 空白 多极 |
| 文章编号： | 1672-366X（2006）01-0066-05 |
| 收稿时间： | 2005-09-25 |
| 修稿时间： | 2005年9月25日 |
Appreciation of the Artistic Conception in Nineteen Ancient Poems from the Perceptive of Acceptivist Aesthetics |
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| Ma Ling-yun.Appreciation of the Artistic Conception in Nineteen Ancient Poems from the Perceptive of Acceptivist Aesthetics[J].JOurnal of Fuling Teachers College,2006,22(1):66-70. |
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| Authors: | Ma Ling-yun |
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| Abstract: | This article mainly analyzes the artistic conception in Nineteen Ancient Poems from the perceptive of acceptivist aesthetics.There is an "undecided deserted area",namely,a blank in meaning in the text.As a result,there arises a kind of aesthetic effect of shadowiness and blankness.The seemingly brief poems of Nineteen Ancient Poems create an artistic atmosphere that is boundless for imagination and represents a broad and multi-polar spiritual space.And it reaches a height where the creation of the creating subject and the re-creation and imagination of the acceptors inosculate. |
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| Keywords: | acceptivist aesthetics Nineteen Ancient Poems artistic conception blank multi-polarity |
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