| 贝多芬早期钢琴奏鸣曲中的增六和弦研究 |
| |
| 引用本文： | 陈雅春.贝多芬早期钢琴奏鸣曲中的增六和弦研究[J].湖州师范学院学报,2011,33(3):108-112. |
| |
| 作者姓名： | 陈雅春 |
| |
| 作者单位： | 杭州师范学院钱江学院,浙江杭州,310012 |
| |
| 摘 要： | 贝多芬的钢琴奏鸣曲在和声的运用上,突破了古典时期一些规则的约束,其对和弦的运用就是调内和弦加增六和弦.这个在音乐关键曲式部位经常出现的明亮而带紧张度的和弦对于塑造音乐形象、揭示深刻的音乐思想及其音乐中的矛盾冲突都起到了极为重要的作用.
|
| 关 键 词： | 贝多芬 增六和弦 结构形态 结构作用 |
A Study of the Sixth Chord of Ludwig van Beethoven's Early Piano Sonata |
| |
| CHEN Ya-chun.A Study of the Sixth Chord of Ludwig van Beethoven's Early Piano Sonata[J].Journal of Huzhou Teachers College,2011,33(3):108-112. |
| |
| Authors: | CHEN Ya-chun |
| |
| Institution: | CHEN Ya-chun(Qianjiang College,Hangzhou Normal University,Hangzhou 310012,China) |
| |
| Abstract: | The application of Ludwig van Beethoven's early piano sonata on harmony broke through some restrictions on classical rules.A comprehensive survey of Beethoven's early piano sonata shows his application of chord is actually tonality chord and augmented sixth chord.The chord,which often appears in the key musical form,bright and tense,plays an extremely important part in molding music images,revealing profound music thought and the contradiction in music.By analyzing the concrete use of early piano sonata,the... |
| |
| Keywords: | Ludwig van Beethoven Augmented Sixth Chord composition form composition function |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
